July 2025 Recap: A Monthly Exercise in Critical Transparency

Screenshot of the trailer for Glyndebourne’s production of Giuseppe Verdi’s Falstaff by There Stands the Glass.

The Top Ten Albums of July 2025
1. Clipse- Let God Sort Em Out
Culturally inappropriate.

2. Tyler, The Creator- Don’t Tap the Glass
Provocative.

3. Dom Salvador, Adrian Younge and Ali Shaheed Muhammad- JID024
Miraculous samba.

4. Charlie Hunter and Ella Feingold- Different Strokes for Different Folks
My kind of party.

5. Dino Saluzzi- El Viejo Caminante
Heartbreaking bandoneon.

6. Teddy Abrams- Preludes
A new form of pianism.

7. Myke Towers- Island Boyz
Endless summer.

8. Burna Boy- No Sign of Weakness
Muscular pop.

9. Theon Cross- Affirmations (Live at Blue Note New York)
Hilariously loud.

10. Freddie Gibbs and the Alchemist- Alfredo 2
Old school.

The Top Three Reissues and Reimaginings of July 2025
1. Nick Drake- The Making of Five Leaves Left
Deep in the weeds.

2. Cecil Taylor and Tony Oxley- Flashing Spirits
Live in 1988.

3. Paul Weller- Find El Dorado
Covers of premium obscurities.

The Top Ten Songs of July 2025
1. MC Yallah- “Tunyedde”
Straight outta Kampala.

2. John Glacier- “Fly With Me”
Moonshot.

3. Cécile McLorin Salvant- "Oh Snap"
Kitchen sink.

4. Syd- “Die for This”
Alive.

5. Olivia Dean- “Lady Lady”
Groovy groovy.

6. Jorja Smith- "With You"
Bliss.

7. Che- “Ba$$”
Molly anthem.

8. DJ Snake featuring J Balvin- “Noventa”
Siren song.

9. Pino Palladino and Blake Mills featuring Chris Dave- "Taka"
A-team.

10. Trio of Bloom- "Queen King"
Nels Cline, Craig Taborn and Marcus Gilmore.

The Top Ten Performances of July 2025
1. Woody Guthrie Folk Festival (Okemah)
My notes.

2. Steve Cardenas, Forest Stewart and Brian Steever at Westport Coffee House
My Instagram clip.

3. Elvis Costello & The Imposters at the Uptown Theater
My Instagram clip.

4. Crystal Gayle at Ameristar Casino
My review.

5. Nick Hmeljak, Henry Scamurra, Isaiah Petrie, Jordan Faught and Jaylen Ward at Westport Coffee House
My review.

6. Made in France at the Market at Meadowbrook
My Instagram snapshot.

7. Summerfest at St. Mary’s Episcopal Church
My notes.

8. Stan Kessler, Aaron Sizemore, Craig Akin and Taylor Babb at the Music House
My Instagram snapshot.

9. Michael August and Nell Levin at the Woody Guthrie Center (Tulsa)
Instagram snapshot.

10. Matt Hopper, Gerald Spaits and Todd Strait at Green Lady Lounge
My Instagram snapshot.

The previous monthly recap is here.

Concert Review: Thomas Rosenkranz at White Recital Hall

Original image by There Stands the Glass.

Everything you might care to know about my current state of mind is encapsulated by my steadfast commitment to attending Thomas Rosenkranz’s recital at White Recital Hall on Friday, October 20. (The recital streams here.)

The rare opportunity to hear a complete performance of Olivier Messiaen’s Vingt Regards sur l’Enfant-Jésus appealed to me more than attending concurrent concerts by Travis Scott or the Jazz at Lincoln Center Orchestra.

Friends and loved ones declined to join me when upon learning they were being asked to endure two hours of challenging solo piano at the free concert presented by the UMKC Conservatory. The translated title of Messiaen’s work- Twenty Contemplations of the Infant Jésus- was a nonstarter for at least one person.

The piece is best experienced alone anyway. Upon selecting a seat allowing me to watch Rosenkranz’s frenetic fingering, I placed my phone on the floor and didn’t once turn around to check on the responses of the approximately 100 people in the auditorium.

Transfixed, my mind only wandered to consider how curious the composition must have seemed to listeners at its premiere in 1945. It still sounds otherworldly. Allusions range from Wolfgang Amadeus Mozart to George Gershwin. Messiaen also seems to have anticipated the innovations of Philip Glass and Cecil Taylor.

Yet musicological musings are a secondary consideration. During one segment I sensed the incomprehensible magnificence of God from a proximate vantage point I hadn’t previously experienced. Three days later, I’m still trembling.

Album Review: Andrew Cyrille, William Parker and Enrico Rava- 2 Blues for Cecil

Forgoing live music as part of an interminable effort to avoid the virus hasn’t been all bad.  I’ve hunkered down with books in recent weeks.  Many of the biographies and novels I spend hours reading every evening conclude with end-of-life reflections about lessons learned and meanings gleaned.

Similar ruminations dominate 2 Blues for Cecil.  A trio of avant-garde elders- drummer Andrew Cyrille, 82, bassist William Parker, 70, and trumpeter Enrico Rava, 82- brood over the legacy of the late iconoclast Cecil Taylor on the album recorded 11 months ago in Paris.

More than a meditation on loss, 2 Blues for Cecil is a profound exploration of the essence of time and space. Yet tracks like "Ballerina" don’t function as background music. Reading is impossible even during the most serene moments of the riveting 2 Blues for Cecil.