I regularly recall the spectacular production of Kanye West’s 2013-14 tour promoting his intentionally grating album Yeezus. The lascivious presentations of entertainers such as Doja Cat aside, it remains the most visually audacious show I’ve witnessed. I might feel differently had I been in Switzerland last month. The futuristic staging of Richard Strauss’ gory opera Elektra at Grand Théâtre de Genève is amazing. Opera critics hated it. (Representative bad reviews are here and here.) What do they know? I hope West steps away from social media for a couple hours to glean a more productive form of visual, auditory and thematic stimulation from the ingenious version of Elektra.