Why do jazz musicians make pathetically anemic sounds when they turn their talents to popular music? Otherwise exemplary improvisational musicians are invariably inept in rock, pop, R&B and hip-hop contexts. Happily, there are exceptions to the rule. Candid is a recent instance. Five vaunted heroes of underground music- Tim Berne, David Torn, Marc Ducret, Devin Hoff and Ches Smith- successfully meld post-punk noise with free jazz on the 71-minute album. Mean and dirty, Candid is what might have resulted had Peter Brötzmann been a founding member of Sonic Youth or what might happen if Mats Gustafsson sat in with Godspeed You! Black Emperor. Affiliates of the jazz police and punk purists will be repelled, but tracks like "Craw" are as natural as they are necessary.
Album Review: Ava Mendoza- Echolocation
Conventional wisdom would have people believe that jazz and punk are diametrically opposed forms of music. The transgressive spirit of the two forms are actually the same. As a teenager swept up in the initial punk revolution, Television’s Marquee Moon and Miles Davis’ Dark Magus seemed like two sides of the same coin when the albums were released in 1977. Both recordings sound like precursors to Echolocation, the new album by guitarist Ava Mendoza, saxophonist James Brandon Lewis, bassist Devin Hoff and drummer Ches Smith. The quartet fuses raw metallic power with free improvisation on the crunchy Echolocation.