Manic dembow made by the likes of Donaty is my new go-to soundtrack for driving and yard work. I expect my infatuation will last through the summer. Yet the bonkers music is jarring inside my home. The contemplative guitar of Zsófia Boros on her third ECM Records album El último aliento is precisely what I need as I gaze out windows at the spring bloom. Her exquisite interpretation of Mathias Duplessy’s "Le labyrinthe de Vermeer" is representative of the extraordinarily restorative work.
