The Top Fifty Performances of 2022

Original image of Blackstarkids by There Stands the Glass.

I’ve gone out to hear live music 123 times in 2022. I’m not done yet- I plan to hit a couple gigs this evening. Even without attending a single festival, I’ve taken in more than 225 performances this year. And yes, wise guys, I’ve been the oldest person in the room at a third of the shows listed below. You can’t blame a person for trying to make up for lost time. Unless indicated otherwise, the events took place in the Kansas City area.

1. Nduduzo Makhathini at the Blue Room

Review.

2. Joyce DiDonato at the Folly Theater

Review.

3. Little Joe y La Famalia at the Guadalupe Center

Review.

4. Logan Richardson + Blues People at the Ship

Review.

5. Blackstarkids at recordBar

Review.

6. Angela Winbush, Men at Large and Levelle at Juneteenth KC

Review.

7. Godspeed You! Black Emperor at the Roseland Theater (Portland)

Review.

8. Samantha Ege at the Folly Theater

Review.

9. Sparks at the Crystal Ballroom (Portland)

Review.

10. Flatland Cavalry at the Truman

Review.

11. Daniil Trifonov at the Folly Theater

Review.

12. Lucibela at Old Church Concert Hall (Portland)

Review.

13. Show Me the Body, Soul Glo, Wifi Gawd, Ebony Tusks and Piss Kinks at recordBar

Review.

14. FKJ and Ohma at the Midland theater

Review.

15. Livia Nestrovski and Henrique Eisenmann at the 1900 Building

Review.

16. Salvation Choir at Theis Park

Review.

17. Algara, P.S.Y.W.A.R. and New Obsessions at Farewell

Review.

18. Sheku Kanneh-Mason and Isata Kanneh-Mason at the Folly Theater

Instagram photo.

19. Animal Collective and Spirit of the Beehive at the Truman

Review.

20. Adam Larson, Clark Sommers and Dana Hall at Westport Coffee House

Review.

21. Porridge Radio and Blondshell at Doug Fir Lounge (Portland)

Instagram clip.

22. Black Crack Revue at Westport Coffee House

Review.

23. High Pulp at recordBar

Review.

24. Escuela Grind at Farewell

Review.

25. Phillip Greenlief, Midwestern and the Extemporaneous Music and Arts Society at Bushranger Records

Review.

26. Steve Cardenas, Forest Stewart and Brian Steever at recordBar

Review.

27. Terence Blanchard with Turtle Island Quartet at Atkins Auditorium

Review.

28. Arnold Young and the RoughTet at the Ship

Instagram clip.

29. Marin Alsop and Orchestra Sinfônica do Estado de São Paulo at Helzberg Hall

Review.

30. John Hiatt and Lyle Lovett at the Uptown Theater

Review.

31. Bob Bowman and Peter Schlamb at Second Presbyterian Church

Review.

32. Mspaint at Nightjar

Instagram clip.

33. Babehoven at Farewell KC

Instagram clip.

34. UMKC’s Conservatory’s “Cosi Fan Tutte” at White Recital Hall

Instagram photo.

35. Live Skull and Still Ill at recordBar

Review.

36. Crystal Gayle at Ameristar Casino

Review.

37. Evan Verploegh and Ben Baker at World Culture

Review.

38. Keefe Jackson, Jakob Heinemann and Adam Shead at Black Dolphin

Instagram photo.

39. Cuong Vu and Ted Poor at Jack London Revue (Portland)

Review.

40. Ozomatli at KC Live

Instagram clip.

41. Gorillaz and EarthGang at the Moda Center (Portland)

Review.

42. Escher String Quartet at Polsky Theatre

Review.

43. Damien Sneed at the Folly Theater

Review.

44. John Waite at Ranch Mart Shopping Center

Instagram clip.

45. William Baker Singers at Grace & Holy Trinity Cathedral

Review.

46. Raven Chacon at Agnes Arts

Review.

47. Rod Fleeman at Green Lady Lounge

48. Ducks Ltd. at the Green House

Instagram clip.

49. Billy Cobham at Dolores Winningstad Theatre (Portland)

Review.

50. Roger Waters at the T-Mobile Center

Review.

October 2022 Recap: A Monthly Exercise in Critical Transparency

Screenshot of the trailer of Opera North’s reworking of Monteverdi’s “L’Orfeo” by There Stands the Glass.

Top Ten Albums of October

1. Natalia Lafourcade- De Todas las Flores

Rapturous beauty.

2. Bobby Watson- Back Home in Kansas City

My review.

3. Brian Harnetty- Words and Silences

My review.

4. Dave Douglas- Songs of Ascent: Book 1- Degrees

Advanced harmolodics.

5. Boston Modern Orchestra Project- Anthony Davis: X: The Life and Times of Malcolm X

A new rendering of the neglected opera.

6. Anat Cohen- Quartetinho

Exquisite chamber jazz.

7. Evgueni Galperine- Theory of Becoming

A Ukrainian Morricone.

8. Armani Caesar- The Liz 2

The month’s best Griselda album.

9. Babyface- Girl’s Night Out

Sultry collaborations.

10. Caroline Shaw and I Giardini- The Wheel

I prefer this hushed recording to the widely praised The Blue Hour.

Top Ten Songs of October

1. Plains- "Hurricane"

Leveled.

2. Grupo Marca Registrada and Luis R. Conriquez- "Puro Campeón"

A true champion.

3. iLe- "Lo Que Yo Quería"

Celestial pop.

4. Ozuna featuring El Cherry Scom- "Perreo y Dembow"

Dizzying.

5. Quavo and Takeoff- "Two Infinity Links"

I’m 250 pages into Joe Coscarelli’s Rap Capital.

6. Jamila Woods- "Boundaries"

Blurred lines.

7. LF System- "Hungry (For Love)"

Famished on the dance floor.

8. SleazyWorld Go featuring G Herbo- “Glitches”

Shots fired.

9. Nardo Wick featuring Polo G- "G Nikes"

If the shoe fits…

10. Hardy- "Truck Bed"

Hick-hop goes pop-punk.

Top Ten Performances of October

1. Marin Alsop and Orchestra Sinfônica do Estado de São Paulo at Helzberg Hall

My review.

2. Ohma and FKJ at the Midland Theater

My review.

3. Raven Chacon’s “American Ledger no. 1” at Agnes Arts

My review.

4. Lyle Lovett and John Hiatt at the Uptown Theater

My review.

5. Terence Blanchard with Turtle Island Quartet at Atkins Auditorium

My review.

6. Alter Destiny at Charlotte Street Foundation

My review.

7. Karen Hsiao Savage, Hyeyung Sol Yoon and Gregory Beaver at White Recital Hall

My review.

8. Stan Kessler, Rod Fleeman and Bob Bowman at a driveway concert

Three of Kansas City’s best on a glorious fall afternoon.

9. Esthesis Quartet at the Blue Room

My Instagram clip.

10. Alex Mallett and Jeff Harshbarger at Market at Meadowbrook

Folklore.

Last month’s survey is here.

Concert Review: Lyle Lovett and John Hiatt at the Uptown Theater

Original image by There Stands the Glass.

Lyle Lovett and John Hiatt swapped stories and told jokes for 140 minutes at the Uptown Theater on Wednesday, October 13.  Every so often, they remembered to play one of the most iconic American songs of the past 50 years.  The majority of the audience of more than 700 wouldn’t have had it any other way.

Longtime fans can compare and contrast decades of performances by both men in a variety of settings.  This admirer witnessed Hiatt perform in Ry Cooder’s band at the Uptown Theater in 1981.  He’s since played the same venue with a number of rock bands.  Most memorably, Hiatt and Lovett performed in an acoustic song circle with Guy Clark and Joe Ely at the Uptown Theater about 25 years ago.

Lovett mixes it up even more than Hiatt.  He’s assumed a variety of folk, country, blues and jazz themes in the approximately dozen times since I first heard him perform in the late 1980s.  Just three months ago he performed at Starlight Theatre with a band featuring the heavyweight pop and rock rhythm section of bassist Leland Sklar and drummer Russ Kunkel.

Both men were as good as ever on Wednesday.  Not only do their compositions thrive in stark acoustic settings, Lovett and Hiatt are exceptional conversationalists.  Mercy, are they ever funny!  The evening began with Hiatt teasing his pal about a bespoke shirt/jacket, a garment Hiatt characterized as a “jirt” or “shacket.”

Lovett exacted a genial form of revenge by lightly mocking Hiatt’s elaborate and entirely sincere story about his family’s encounter with ghosts.  The pair’s freewheeling discussion also touched on songcraft, child rearing and Christianity.  Although he’s more reticent than Lovett, Hiatt’s remembrance of stealing cars as a teenage delinquent in Indiana was the best tale told.  

While they sometimes seemed like an afterthought, the songs performed by each man were well chosen.  “12th of June,” the potent title track of Lovett’s strong 2022 album, was the most rewarding selection of the evening.  The solemn meditation on fatherhood and family lineage was balanced by the new children-inspired romps “Pants Is Overrated” and “Pig Meat Man.”

He name-checked Houston Astros slugger Yordan Álvarez as the man “that won the game” in a thoughtful version of Chuck Berry’s “Brown Eyed Handsome Man.”  Complimentary vocal and guitar assistance from Hiatt kept a few fan favorites including “If I Had a Boat” fresh.

Hiatt’s familiar weatherbeaten voice is like an abandoned barn impervious to collapse, but Lovett’s vocal tone seems to have undergone an astonishing transformation.  A newfound vocal strength caused Lovett to sound like the star soloist of a laconic cowboy gospel choir as he traded verses on Hiatt’s “Thing Called Love.”   

Hiatt also offered interpretations of his signature songs “Have a Little Faith in Me,” “Slow Turning” and “Drive South.”  A spellbinding rendition of “Icy Blue Heart” was followed by a hilarious but insightful analysis of the motivations of the song’s characters.  It’s precisely the sort of unexpected detour that made Wednesday’s concert an unforgettable exhibition of two master craftsmen at the peak of their powers.