September 2022 Recap: A Monthly Exercise in Critical Transparency

Screenshot of Sondra Radvanovsky in the trailer of the Metropolitan Opera’s production of Cherubini’s “Medea” by There Stands the Glass.

Top Ten Albums of September

1. Sarah Davachi- Two Sisters

Ecumenical drones.

2. Caroline Shaw and Attacca Quartet- Evergreen

A Mozart among us.

3. James Brandon Lewis- Molecular Systematic Music

Live mutations.

4. Julian Lage- View with a Room

With Bill Frisell, Jorge Roeder and Dave King.

5. Charles Lloyd- Trios: Ocean

Celestial trio with Gerald Clayton and Anthony Wilson.

6. Laura Jurd- The Big Friendly Album

Howdy.

7. Ohma- Between All Things

My review.

8. Billy Woods- Church

Unanswered prayers.

9. Jeff Parker, Eric Revis and Nasheet Waits- Eastside Romp

No ordinary guitar trio.

10. Björk- Fossora

Ridiculously good or just ridiculous?

Top Ten Songs of September

1. Mister Water Wet- "Caged at Last"

Everything at once, sparingly.

2.. Santigold- "Ushers of the New World"

I prefer to stand, thank you.

3. Channel Tres- "No Limit"

A slick shocker.

4. M.I.A.- "Beep"

Bop.

5. LCD Soundsystem- “New Body Rhumba”

Workout.

6. Stormzy- "Mel Made Me Do It"

An old-school tour de force.

7. Smino featuring J. Cole- "90 Proof"

Strong.

8. Little Big Town- "Three Whiskeys and the Truth"

Fleetwood Mac sounds better than ever.

9. Kany García and Christian Nodal- "La Siguiente"

Romantic duet.

10. Clutch- "Three Golden Horns"

Clutch is my favorite novelty act.

Top Ten Concerts of September

1. Blackstarkids- recordBar

My review.

2. Lucibela- Old Church Concert Hall

My review.

3. Algara, P.S.Y.W.A.R. and New Obsessions- Farewell

My review.

4. Porridge Radio and Blondshell- Doug Fir Lounge

My Instagram video.

5. Live Skull- recordBar

My review.

6. Ozomatli- KC Live

My Instagram video.

7. Gorillaz and EarthGang- Moda Center

My review.

8. Billy Cobham- Dolores Winningstad Theater

My review.

9. Roger Waters- T-Mobile Center

My review.

10. The Shins and Joseph- Pioneer Courthouse Square

Temporarily displaced unhoused people were not pleased.

Last month’s survey is here.

Concert Review: Live Skull at recordBar

Original image by There Stands the Glass.

Three notable post-punk touring bands performed at separate venues within a half-mile radius of one another in Kansas City on Saturday, September 24.  I passed on Gwar at Grinder’s KC because I’m an adult.  I skipped Dinosaur Jr. because I’d already been pummeled by the band two or three times.  But I’d never previously had an opportunity to catch Live Skull.

I’ve been a fan of the New York City no-wave pioneers since buying the groundbreaking Speed Trials compilation as a new release in 1985.  About three dozen old heads paid $12 to hear the underground legends play a 60-minute headlining set at recordBar.  Forty years after its inception, Live Skull still sounds all wrong in all the right ways.

Live Skull was ahead of its time. Not surprisingly, dust hasn’t accumulated on its jagged blend of reverse funk and discriminating noise. The enhanced musical proficiency that comes with age hasn’t diminished the band’s visceral impact. The tense interplay among the current lineup causes Live Skull to seem every bit as dangerous as it did in the 1980s.