Original image of Militarie Gun by There Stands the Glass.
I’ve never listened to Jethro Tull’s 1976 album Too Old to Rock ‘n’ Roll: Too Young to Die, but an inversion of the title came to me as I was repeatedly jostled by the outer ripples of the mosh pit at recordBar on Sunday, February 25. I’m not too old to rock ‘n’ roll: I’m not too young to die.
Ten years older than the second most aged person in the capacity audience of 400, I knew I looked out of place. As a weirdo who attended his first punk show more than 45 years ago, the noise made by Militarie Gun, Pool Kids, Spiritual Cramp and Spacing is an integral part of my musical DNA.
I fell in love with Militarie Gun’s shouty form of punk when I first encountered it on Sham 69’s "Hurry Up Harry" in 1978. As Militarie Gun put it in 2023, Harry should "Do It Faster".
Pool Kids’ technical emo sent me back to Warped Tour circa 2012. I don't care for its style, but the quartet’s infectious exuberance won me over. On the other hand, Spiritual Cramp hooked me from the get-go. Its furious garage-rock is precisely my thing.
The three-and-a-half hour show began with a blast of hardcore fun from Spaced. As it’s from the underground punk world I’ve rediscovered and gratefully inhabited in the aftermath of the pandemic, the Buffalo band brought me full circle.