A Tough Pill to Swallow: The Top 50 Songs of 2021

Screenshot of Injury Reserve’s “Knees” video by There Stands the Glass.

My ranking of the fifty new songs I loved most in 2021 bears little resemblance to There Stands the Glass’ Top Albums of 2021 list.  The disparity is intentional.  A forthcoming accounting of the 50 best live performances I caught in 2021 will contain further deviations.  Injury Reserve’s disquieting “Knees” meant the most to me in recent months.  The rest of the songs are sequenced by personal preference with a bit of flexibility for optimal playlist appeal.  Here’s the Spotify playlist.

1. Injury Reserve- "Knees"

2. Coi Leray- "No More Parties"

3. J Balvin and Skrillex- “"In Da Ghetto"

4. Tokischa and Rosalía- "Linda"

5. Priya Ragu- "Lockdown"

6. Little Simz- "Rollin' Stone"

7. Cake Pop, Pritty, Aaron Carter and Ravenna Golden- "Satin Bedsheets"

8. The Streets- "Who's Got the Bag"

9. Celeste- "Tonight Tonight"

10. Billie Eilish- "Lost Cause"

11. Badbadnotgood- "City of Mirrors"

12. Chlöe- "Have Mercy"

13. Sir the Baptist featuring Anthony Hamilton- "Jesus in the Ghetto"

14. Rod Wave- "Tombstone"

15. Remi Wolf- “Anthony Kiedis”

16. Blackstarkids- "Juno"

17. Shannon & The Clams- "Year of the Spider"

18. Olivia Rodrigo- "Brutal"

19. Amyl and the Sniffers- "Freaks to the Front"

20. Willow featuring Cherry Glazerr- “¡Breakout!”

21. Elle King and Miranda Lambert- “Drunk (And I Don’t Wanna Go Home)”

22. Roman Alexander featuring Ashley Cooke- "Between You & Me"

23. Tinashe- "Bouncin'"

24. Megan Thee Stallion- "Thot Sh*t"

25. IDK with Swae Lee and Rico Nasty- "Keto"

26. Jungle- "No Rules"

27. Jana Rush- "Disturbed"

28. Nightmares on Wax- "Miami 80"

29. Earl Sweatshirt- "2010"

30. Slowthai featuring James Blake and Mount Kimbie- "Feel Away"

31. Pooh Shiesty featuring Gucci Mane- "Ugly"

32. Baby Keem and Kendrick Lamar- "Family Ties"

33. Saweetie featuring Doja Cat- "Best Friend"

34. City Girls- "Scared"

35. Kevin Gates- "Plug Daughter 2"

36. Maxo Kream- “Cripstian”

37. Tony Allen and Danny Brown- "Deer in Headlights"

38. Robert Plant and Alison Krauss- "High and Lonesome"

39. Samantha Fish featuring Tech N9ne- "Loud"

40. Rauw Alejandro and Anitta- “Brazilera”

41. Céu - “Chega Mais”

42. Adele- "All Night Parking"

43. Cécile McLorin Salvant - "Ghost Song"

44. Nick Cave and Warren Ellis- “Albuquerque”

45. Willie Nelson- "Too Sick to Pray"

46. Brittney Spencer- "Sober & Skinny"

47. Lauren Alaina- "It Was Me"

48. Moby, Mark Lanegan and Kris Kristofferson- "The Lonely Night"

49. Loretta Lynn- “I Don’t Feel at Home Anymore”

50. Sarah Brand- "Red Dress"

Links to 16 previous year-end There Stands the Glass surveys begin here.

August 2021 Recap: A Monthly Exercise in Critical Transparency

(Screenshot of Bye Bye Braverman by There Stands the Glass.)

Top Ten Albums (released in August, not including August 27 titles)

1. Jana Rush- Painful Enlightenment

The art of noise.

2. Abstract Mindstate- Dreams Still Inspire 

My review.

3. Pink Siifu- Gumbo'!

Hey ya!

4. Shannon and the Clams- Year of the Spider

My review.

5. Tinashe- 333

Lucky numbers.

6. Max Richter- Exiles

Luminous.

7. Isaiah Rashad- The House Is Burning

Fire!

8. Bleachers- Take the Sadness Out of Saturday Night

My review.

9. Boldy James and The Alchemist- Bo Jackson

Another hit.

10. Angelika Niescier and Alexander Hawkins- Soul in Plain Sight

European birds of a feather.

Top Ten Songs (Released in August)

1. Injury Reserve- "Knees"

“A tough pill to swallow.”

2. Jungle- "No Rules"

Anarchy on the dance floor.

3. Robert Plant and Alison Krauss- "Can't Let Go"

Ooby dooby.

4. Connie Smith- "I'm Not Over You"

Going under. 

5. Rachika Nayar- "Memory as Miniatures"

What if Pat Metheny signed to Windham Hill instead of ECM?

6. Benny the Butcher- "The Iron Curtain"

Imposing.

7. Irreversible Entanglements- "Open the Gates"

“It’s energy time.”

8. Blackstarkids- “Juno”

Summertime blues.

9. Christina Bell featuring Fred Hammond- "Still Faithful"

Conviction.

10. $uicideboy$- “If Self-Destruction Was an Olympic Event, I’d Be Tanya Harding”

Going for gold.

Top Ten Films (viewed for the first time in August)

1. あん/Sweet Bean (2015)

Deliciously transcendent.

2. Moonlight (2016)

Hello stranger.

3. Blue Jasmine (2013)

Family feud.

4. The Wild Bunch (1969)

Desperados waiting for a train.

5. Les Vacances de Monsieur Hulot/Monsieur Hulot's Holiday (1953)

French slapstick.

6. Bye Bye Braverman (1968)

Funeral for a friend.

7. La Collectionneuse/The Collector (1967)

Attractive people do ugly things in beautiful places.

8. CODA (2021)

High school musical.

9. The Falcon in San Francisco (1945)

Conventional potboiler.

10. The Tomorrow War (2021)

Goofy sci-fi romp.

Live Music

I swore off electing to place myself amid crowds in Kansas City after a disheartening experience at the airport as August began.  The abhorrent behavior of halfwits and lunatics temporarily eradicated any possibility of enjoying myself at musical performances.

July’s recap and links to previous monthly surveys are here.

Album Review: Shannon and the Clams- Year of the Spider

The Black Keys never did much for me.  I’ll turn on television sports programming if I want to hear beer commercial jingles.  The music made by Dan Auerbach and Patrick Carney often sounds like the calculated product of a boardroom committee rather than the earthy brilliance of the artists who inspired the duo.

Nonetheless, Auerbach played an integral role in some of the fun I’ve had in recent weeks.  He produced Yola’s glorious July 30 release Stand for Myself, a throwback roots album that’s intensified my late-night revelries.  Thanks to Auerbach’s steadying influence, Shannon and the Clams’ Year of the Spider may be even better.  The producer balances the band’s proclivity for sloppy mayhem with the professionalism characteristic of the Black Keys.

Shannon and the Clams outdo the Black Keys by occasionally improving on the classic sounds of their primary influences.  Hearing the Black Keys makes me long for the likes of R.L. Burnside and Creedence Clearwater Revival.  Year of the Spider songs including the title track and "All of My Cryin'" rival the timeless glory of Del Shannon, the Shangri-Las and Little Eva.

Auerbach is on a roll. Based on the Velveteers’ stellar advance single "Motel #27" from the forthcoming album Nightmare Daydream, Auerbach’s hot streak doesn’t seem as if it will stop anytime soon. And should songs by Yola, Shannon and the Clams or the Velveteers wind up in beer commercials, I may require an intervention.