Voices of Mississippi

February 2023 Recap: A Monthly Exercise in Critical Transparency

Screenshot of the trailer of Detroit Opera’s production of Charles Gounod’s “Faust” by There Stands the Glass.

Top Ten Albums of February

1. Young Fathers- Heavy Heavy

Crushed.

2. Christian McBride’s New Jawn- Prime

A1.

3. James Brandon Lewis- Eye of I

All seeing.

4. Ten City- Love Is Love

Disco revival, part one.

5. Karol G- Mañana Será Bonito

Tomorrow will be pretty.

6. Don Toliver- Love Sick

Grown and sexy.

7. Lisel- Patterns for Auto-Tuned Voices and Delay

A.I. soundtrack.

8. Gorillaz- Cracker Island

Stranded.

9. Kelela- Raven

In flight.

10. The Necks- Travel

Hear the world.


Top Ten Songs of February

1. Kelsea Ballerini- "Leave Me Again"

Alone.

2. Fuerza Regida and Becky G- "Te Quiero Besar"

Kisses.

3. Joe Louis Walker- "Don’t Walk Out That Door"

Let’s stay together.

4. Jessie Ware- "Pearls"

Disco revival, part two.

5. Hitkidd featuring Aleza, Gloss Up, Slimeroni and K Carbon- "You the Type"

Old-school fun.

6. Yeat featuring YoungBoy Never Broke Again- "Shmunk"

Kids these days.

7. Lonnie Holley featuring Moor Mother- "I Am a Part of the Wonder"

Old souls.

8. Dierks Bentley- “Heartbreak Drinking Tour”

The night life ain’t no good life.

9. The Men- “Peace of Mind”

Stooges stew.

10. Talibando featuring BabyTron- "Make the Money"

Paid in full.

Top Ten Performances of February

1. UMKC Conservatory’s “Proving Up” at Spencer Theater

My review.

2. Hermon Mehari Quartet at the Folly Theater

My review.

3. Jake Blount at the Folk Alliance International Conference:

My review.

4. Bobby Weir and the Wolf Bros at Louisville Palace

My review.

5. Verónica Valerio at the Folk Alliance International Conference

My Instagram clip.

6. Kentucky Opera’s “Cinderella” at W.L. Lyons Brown Theatre

My Instagram snapshot.

7. Voices of Mississippi at Polsky Theatre

My review.

8. Jack Wright with Ron Stabinsky at Charlotte Street Foundation

My Instagram clip.

9. Talibah Safiya at the Folk Alliance International Conference:

My Instagram snapshot.

10. NAVO Trio at Polsky Theatre

My Instagram snapshot.



The previous monthly survey is here.

Concert Review: Voices of Mississippi at Yardley Hall

Original image by There Stands the Glass.

The multimedia presentation staged at Yardley Hall on Saturday, February 12, shouldn’t have worked.  The languid drawl of a disembodied octogenarian narrator offered insights into a blend of grainy footage and live performances throughout the 90-minute show attended by several hundred people.

Yet the narrator was the gallant folklorist William Ferris and the six featured musicians possessed correspondingly auspicious talent.  What might have resembled a tedious TED Talk was instead a vital exposition of Mississippi culture.

The concept is inspired by Voices of Mississippi: Artists and Musicians Documented by William Ferris.  The Grammy Award-winning collection ranges from tracks by the blues icon Mississippi Fred McDowell to the beat poet Alan Ginsburg.  Saturday’s concert was similarly expansive.  

Shardé Thomas and Chris Mallory of the Rising Stars Fife & Drum Band, Luther and Cody Dickinson of the North Mississippi Allstars, the roots music mainstay Ruthie Foster and sought-after guitarist Marcus Machado didn’t play it straight.

Ferris’ footage of B.B. King was followed by the rarest of musical unicorns: a fresh version of “The Thrill Is Gone.”  Thomas’ vocals on the shopworn warhorse as well as the life-affirming fife playing she demonstrated on other selections were the concert’s biggest revelations.

Her collaborators were almost as good.  Ruthie Foster delivered a stunning a cappella reading of Son House’s “Grinnin’ In Your Face.”  The low-key guitar duels between Dickinson and Machado were tasteful.  The Kansas City vocalist Danielle Nicole made a fun guest appearance on “You Gotta Move.”

The frequent video segments could have been buzzkills had they not been so engaging.  Rather than resembling fusty outtakes from Martin Scorsese’s 2003 documentary on the blues, they added vitality.

Logic dictates that a performance by the same lineup at a roadhouse like Kansas City’s Knuckleheads would have been preferable. Yet almost everything about Voices of Mississippi defies blues convention.  The triumphant concert was a most pleasant surprise.