I’m not particularly interested in condemning the overt racism and shameless cultural appropriation displayed throughout the 1930 film King of Jazz. The preposterous title of the Paul Whiteman vehicle exposes the absurdly disgraceful premise. Needless to say, little in the vaudevillian revue has aged well. Yet King of Jazz offers extremely instructive insights into the popular culture of 90 years ago. I learned a great deal when I watched it for the first time this week. The most essential segment- a visually lavish rendition of “Rhapsody in Blue”- begins with Whiteman’s terribly offensive introduction of George Gershwin’s composition at the 51:38 mark of the embedded video.