I’m a Prius-driving, The New York Times-subscribing liberation theologist. Even so, I detest getting preached at by sanctimonious do-gooders. That’s why Max Richter’s Voices, an ambitious 2020 album dedicated to the Universal Declaration of Human Rights, repels me. Voices 2 rectifies the heavy-handed blunder with predominantly instrumental pieces based on the same theme. As a committed fan of the British composer, I’m swayed by the subtler versions of the purposeful music on selections like "Prelude 2".