Cesar Rosas

February 2025 Recap: A Monthly Exercise in Critical Transparency

Screenshot of the trailer for La Monnaie’s production of Richard Wagner’s Götterdämmerung by There Stands the Glass.

The Top Ten Albums of February 2025
1. James Brandon Lewis- Apple Cores
Golden delicious.

2. John Glacier- Like a Ribbon
Knotty.

3. Maruja- Tír na nÓg
My review.

4. Kelela- In The Blue Light
Radiant.

5. Larry June, 2 Chainz and the Alchemist- Life Is Beautiful
It’s also quite funny.

6. María Dueñas- 24 Caprices by Paganini
Fiddle.

7. Frieder Bernius und the Kammerchor Stuttgart- Louis Spohr: Des Heilands letzte Stunden, Passionsoratorium
A post-Bach Passion.

8. Oren Ambarchi and Eric Thielemans- Kind Regards
A farewell trip.

9. Horsegirl- Phonetics On and On
My review.

10. Damon Locks- List of Demands
Urgent.


The Top Three Reissues, Repackagings and Reimaginings of February 2025
1. Strata-East: The Legacy Begins
A pivotal digital holdout relents.

2. Joe Ely- Love and Freedom
Previously unreleased gems.

3. Ella Fitzgerald- The Moment of Truth: Ella at the Coliseum
Energetic 1967 concert.


The Top Ten Songs of February 2025
1. Mekons- "War Economy"
Moral deficit.

2. Mackenzie Carpenter featuring Midland- "I Wish You Would"
Back to the barrooms.

3. Natti Natasha featuring Ozuna- “Ya No Comparto”
Not sharing.

4. J Noa and Lowlight- "Traficando Rap"
Atención!

5. The Popper featuring Tech N9ne, KStylis and Zaytoven- "Dumb Booty"
Landmark that!

6. Terrace Martin featuring Ogi- "Not Sharing"
Sound of Crenshaw.

7. Gucci Mane- "Preference"
Choice.

8. Saya Gray- “Thus Is Why (I Don’t Spring 4 Love)”
Perfect pop (4 2025).

9. Lonnie Holley- "That's Not Art, That's Not Music"
People tell me this all too often.

10. Okanski- "October"
Bewitching.


The Top Ten Performances of February 2025
1. The Gesualdo Six at Village Presbyterian Church
My Instagram clip.

2. Nikolai Lugansky at the Folly Theater
My Instagram snapshot.

3. Isaiah Collier at the Old Church (Portland)
My review.

4. Deborah Brown and George Colligan at Upcycle Piano Craft
My Instagram clip.

5. David Finckel and Wu Han at the Old Church (Portland)
My Instagram snapshot.

6. Sarah Ghazal Ali at Arrupe Hall
My Instagram snapshot.

7. Aaron Sizemore, Forest Stewart and Mike Warren at the Music House
My Instagram clip.

8. Made in France at the Market at Meadowbrook
My Instagram clip.

9. Josiah Austin at the Portland International Airport
My Instagram clip.

10. Cesar Rosas and the Chi-Town Playboys at the Folly Theater
My review.



The previous monthly recap is here.

Concert Review: Cesar Rosas and the Chi-Town Playboys at the Folly Theater

Original image by There Stands the Glass.

I adored Los Lobos thirty-five years ago. Los Lobos was arguably the world’s best rock band as it toured in support of spectacular albums ranging from How Will the Wolf Survive? (1984) to Kiko (1992).

Things went south in the mid-’90s. After spending years on the same circuit as other Los Angeles bands like X and the Blasters, Los Lobos inexplicably declared allegiance with jam bands. I gave up after a couple dismal experiences attending hippie festivals at which Los Lobos did Grateful Dead-inspired versions of their repertoire.

Adding insult to injury, Los Lobos’ music wasn’t available on streaming services for several crucial years. Even though I owned all their albums on vinyl and CD, not having instant access to their music was annoying. 

The obscurity caused by the boycott probably contributed to dismal advance sales for a concert by Los Lobos’ Cesar Rosas at the Folly Theater on Saturday, February 1. I bought a seat in the front row originally priced at $75 for $15. About 150 people were in the 1,050-seat hall.

Rosas was backed by six musicians billed as the Chi-Town Playboys. The first set was anchored by garage-rock staples associated with Jimmy Reed (“Baby What You Want Me to Do”), Don & Dewey (“Farmer John”) and Tito Puente/Santana (“Oye Como Va”).

Each selection included four guitar solos, two by Rosas and one apiece by two additional guitarists. Although it was performed at a very high level, the guitar-centric bar band routine doesn’t do much for me these days. With a few of my misgivings confirmed, I left at the break.