February 2025 Recap: A Monthly Exercise in Critical Transparency

Screenshot of the trailer for La Monnaie’s production of Richard Wagner’s Götterdämmerung by There Stands the Glass.

The Top Ten Albums of February 2025
1. James Brandon Lewis- Apple Cores
Golden delicious.

2. John Glacier- Like a Ribbon
Knotty.

3. Maruja- Tír na nÓg
My review.

4. Kelela- In The Blue Light
Radiant.

5. Larry June, 2 Chainz and the Alchemist- Life Is Beautiful
It’s also quite funny.

6. María Dueñas- 24 Caprices by Paganini
Fiddle.

7. Frieder Bernius und the Kammerchor Stuttgart- Louis Spohr: Des Heilands letzte Stunden, Passionsoratorium
A post-Bach Passion.

8. Oren Ambarchi and Eric Thielemans- Kind Regards
A farewell trip.

9. Horsegirl- Phonetics On and On
My review.

10. Damon Locks- List of Demands
Urgent.

The Top Three Reissues, Repackagings and Reimaginings of February 2025
1. Strata-East: The Legacy Begins
A pivotal digital holdout relents.

2. Joe Ely- Love and Freedom
Previously unreleased gems.

3. Ella Fitzgerald- The Moment of Truth: Ella at the Coliseum
Energetic 1967 concert.

The Top Ten Songs of February 2025
1. Mekons- "War Economy"
Moral deficit.

2. Mackenzie Carpenter featuring Midland- "I Wish You Would"
Back to the barrooms.

3. Natti Natasha featuring Ozuna- “Ya No Comparto”
Not sharing.

4. J Noa and Lowlight- "Traficando Rap"
Atención!

5. The Popper featuring Tech N9ne, KStylis and Zaytoven- "Dumb Booty"
Landmark that!

6. Terrace Martin featuring Ogi- "Not Sharing"
Sound of Crenshaw.

7. Gucci Mane- "Preference"
Choice.

8. Saya Gray- “Thus Is Why (I Don’t Spring 4 Love)”
Perfect pop (4 2025).

9. Lonnie Holley- "That's Not Art, That's Not Music"
People tell me this all too often.

10. Okanski- "October"
Bewitching.

The Top Ten Performances of January 2025
1. The Gesualdo Six at Village Presbyterian Church
My Instagram clip.

2. Nikolai Lugansky at the Folly Theater
My Instagram snapshot.

3. Isaiah Collier at the Old Church (Portland)
My review.

4. Deborah Brown and George Colligan at Upcycle Piano Craft
My Instagram clip.

5. David Finckel and Wu Han at the Old Church (Portland)
My Instagram snapshot.

6. Sarah Ghazal Ali at Arrupe Hall
My Instagram snapshot.

7. Aaron Sizemore, Forest Stewart and Mike Warren at the Music House
My Instagram clip.

8. Made in France at the Market at Meadowbrook
My Instagram clip.

9. Josiah Austin at the Portland International Airport
My Instagram clip.

10. Cesar Rosas and the Chi-Town Playboys at the Folly Theater
My review.

The previous monthly recap is here.

Concert Review: Isaiah Collier at The Old Church

Original image by There Stands the Glass.

The brevity of public performances by hardcore punk bands is essential. Twenty minutes of unremitting rage-fueled noise is about as much as passionate devotees of the form can bear.

Even as I admired the maximalist intensity of the sonic attack at Portland’s The Old Church on Wednesday, February 5, I was tempted to cry uncle. A quartet led by the Chicago jazz saxophonist Isaiah Collier rarely relented in a full bore search for ascension.

Collier, bassist Emma Dayhuff and a pianist and drummer- I didn’t catch their names- seemed as if they were in a competition to discover who could play the most notes at the loudest volume. I paid $40 to have my head torn off amid an audience of about 200.

Fury is justifiable in these times, of course, but even a rendition of John Coltrane’s ballad “Naima” became a vehicle for violent blues wailing. Collier’s punishing ninety-minute set suggests he’s as merciless as the most vicious of punks.

Album Reviews: Anteloper’s Pink Dolphins, I Am’s Beyond and Bennie Maupin and Adam Nussbaum’s Symphonic Tone Poem for Brother Yusef

Three sets of improvisational duos go out… way out, on new albums.  Jaime Branch has injected vital punk energy into the improvised music scene during the past several years.  The trumpeter puts her healthy irreverence to good use in Anteloper, a collaboration with percussionist Jason Nazary.  Thanks to the deft production of Jeff Parker, the wavy Pink Dolphins might even appeal to fans of Animal Collective.

Reading Tony Whyton’s Beyond a Love Supreme: John Coltrane and the Legacy of an Album last week put me in the proper headspace for I Am’s Beyond.  Saxophonist Isaiah Collier and drummer Michael Shekwoaga Ode channel the polarizing 1967 album Interstellar Space with uncompromising ferocity.

Skronky but slightly less confrontational, Symphonic Tone Poem for Brother Yusef features the veteran innovators Bennie Maupin and Adam Nussbaum.  Mixing electronics with organic sounds, the saxophonist and percussionist pay tribute to the late Yusef Lateef.  Pink Dolphins and Beyond are very good, but the old guys show the kids how it’s done in their exceptional ancient-to-the-future collaboration.

The Kahil El'Zabar Quartet- A Time for Healing

A track titled “Eddie Harris” is positioned midway through A Time for Healing, the latest release by the percussionist and bandleader Kahil El'Zabar. The self-described “improvised soul” veteran grunts and grooves his way through the celebratory tribute to the soul-jazz star. El’Zabar pursues more strictly spiritual inclinations on most tracks. Abetted by the saxophonist Isaiah Collier, trumpeter Corey Wilkes and keyboardist Justin Dillard (each man also plays supplemental percussion), El’Zabar devises a curative form of the ancient-to-the-future formulation he shares with Chicago artists ranging from Roscoe Mitchell to Angel Bat Dawid. As with Nala Sinephro’s 2021 album Space 1.8, A Time for Healing acts as a vital prescription for empyrean and corporal sustenance.