Original image by There Stands the Glass.
A trigger warning was posted at the doors of White Recital Hall on Wednesday, November 20. The note advised that droit du seigneur is an essential plot point of “Le Nozze di Figaro.” In blending the threat of sexual violence with boisterous hilarity, Wolfgang Amadeus Mozart and librettist Lorenzo Da Ponte crafted the most popular work in the history of the form.
The opening night of UMKC Conservatory’s three-hour production was unremittingly delightful. Heidi Shea (Susanna) radiated stardom. I also appreciated the robust presence of Evan J. Nelson (Count Almaviva), the comedic acting of Madeline Friesen (Cherubino) and the lush voice of Victoria Schmidt (Countess Almaviva).
A Mozart freak, I didn’t need to be warned about the opera’s harshest component. I was triggered, however, by the dismal attendance of about 125. I bought a $25 ticket as a member of the general public, but discounted ticket options are available. The production runs through Saturday, November 23. Wednesday’s performance streams here.
