The Top Kansas City Albums, EPs and Reissues of 2024

I’m looking forward to returning to Mark Manning’s Wednesday MidDay Medley program on community radio station KKFI on Wednesday, November 27. Preparing to share music on the year-end best-of show compelled me to complete the following annual exercise. The agonizing process invariably means snubbing a few friends and elevating the art of talented antagonists in Kansas City’s various music communities. The songs I’ll feature on Wednesday MidDay Medley were selected partly for concise track lengths, clean edits and in deference to the predilections of my fellow guests.

The Top 25 Kansas City Albums of 2024

1. Blackstarkids- Saturn Dayz /Heaven on Urf
High concept.

2. Betty Bryant- Lotta Livin’
Plastic Sax review.

3. Willi Carlisle- Critterland
Feral folk.

4. SleazyWorld Go- More Than a Shooter
Shots fired.

5. Logan Richardson- The Science of Superstition
Plastic Sax review.

6. Charles McPherson- Reverence
Plastic Sax review.

7. Behzod Abduraimov- Shadows of My Ancestors
Prokofiev, Ravel and Saidaminova.

8. Danielle Nicole- The Love You Bleed
Medic!

9. Ben Allison, Steve Cardenas and Ted Nash- Tell the Birds I Said Hello: The Music of Herbie Nichols
Plastic Sax review.

10. Tech N9ne- COSM
Collabos.

11. Matt Otto, Xose Miguélez and Abe Rábade- The Landscape Listens
Plastic Sax review.

12. Waxahatchee- Tigers Blood
Comfort food.

13. Rod Fleeman- Saturday Afternoon Live at Green Lady Lounge, Volume 3
Plastic Sax review.

14. Pat Metheny- MoonDial
Plastic Sax review.

15. Loidis- One Day
Electro-propulsion.

16. Scott Dean Taylor and Seth Andrew Davis- Infidels
Plastic Sax review.

17. Lyric Opera of Kansas City, The Kansas City Symphony and The Lyric Opera of Kansas City Chorus- Moravec: The Shining
Redrum.

18. Sandbox Percussion- Bloom
Banging on cans.

19. Narrative Quartet featuring Adam Larson- Trust Fund Tinder Goblins Howling at the Moon
Plastic Sax review.

20. Karrin Allyson- A Kiss for Brazil
Plastic Sax review.

21. Joey Cool- Roller Coaster
Tech mime.

22. Michael Pagán- Paganova
Plastic Sax review.

23. Zachary Barthelman and Evan Verploegh- Sound/Color
Plastic Sax review.

24. Stan Kessler- Two’s Company
Plastic Sax review.

25. Alber- Born at Sea
Plastic Sax review.

The Top Ten Kansas City EPs of 2024

1. Peter Schlamb- Pliable Consciousness
Plastic Sax review.

2. Krystle Warren & The Academy- Extended Play
There Stands the Glass review.

3. Boldy James and Conductor Williams- Across the Tracks
Crazy train.

4. Midwestern- Reflections
There Stands the Glass review.

5. Conductor Williams- Conductor We Have a Problem, Pt. 3
Off the rails.

6. Burning Bush- Demo 2024
 Flames of fire.

7. Jorge Arana Trio- Merciélago
Dark shadows.

8. Drew Williams- Wobble
Plastic Sax review.

9. Rich the Factor- Souped Up Sofa
KC’s the town.

10. Treanne- 20/20
Focused.

The Top Five Kansas City Reissues of 2024

1. Charlie Parker- Bird in Kansas City
Plastic Sax review.

2. Coalesce- Live at BBC’s Maida Vale Studios
Furious 2009 session.

3. The Get Up Kids- Something to Write Home About: 25th Anniversary Deluxe Edition
Red letter days.

4. Jennifer Knapp- Kansas 25
A fresh rendering of the 1998 CCM classic.

5. Kevin Mahogany- Gem Theater Live
Plastic Sax review.

Last year’s list is here.

October 2024 Recap: A Monthly Exercise in Critical Transparency

Screenshot of the trailer of the Metropolitan Opera’s production of Osvaldo Golijo’s Ainadamar by There Stands the Glass.

Top Ten Albums of October

1. Caroline Shaw- Leonardo da Vinci: Original Score
The ideal contemporary classical primer.

2. JD Allen- The Dark, the Light, the Grey and the Colorful
Merciless spiritual jazz.

3. The Necks- Bleed
Minimalist slow-core.

4. Anja Lechner- Bach Abel Hume
Solo cello.

5. Blackstarkids- Heaven on Urf
The conclusion of an ambitious concept album.

6. Anna Butterss- Mighty Vertebrate
Slinky post-jazz.

7. Drug Church- Prude
Mouthy hardcore.

8. Tord Gustavsen Trio- Seeing
My review.

9. Samara Joy- Portrait
Enchanted swing.

10. Marie Krüttli Trio- Scoria
My review.

Top Ten Songs of October

1. Tyler, The Creator- "Noid"
Distrust.

2. 070 Shake- "Winter Baby/New Jersey Blues"
Remembering the Ronettes.

3. Mike- "Pieces of a Dream"
Foggy.

4. Danny Brown- "Cheaters"
No rules.

5. Leikeli47- "450"
Mask off.

6. Shredders- “Shred Dogs 4 Lyfe”
Doomtree.

7. Maren Morris- “People Still Show Up”
Knock knock.

8. Sofía Valdés- "Already Yours"
Possessed.

9. Major Lazer and Vybz Kartel- "Nobody Move"
Frozen.

10. Geordie Greep- "Blues"
Art-rock absurdity.

Top Ten Performances of October

1. Dwight Frizzell’s Heliophonie at Charlotte Street Foundation
My review.

2. Drug Church at recordBar
My Instagram clip.

3. Rick Bartlett at Ricky B’s (Louisville)
My Instagram clip.

4. The Psychedelic Furs, The Jesus and Mary Chain and Frankie Rose at the Uptown Theater
My Instagram snapshot.

5. Chelsea Guo, Joseph Parrish and Francesco Barfoed at the Folly Theater
My Instagram snapshot.

6. Wayne Graham at Zanzabar (Louisville)
My Instagram clip.

7. Gil Shaham with the Kansas City Symphony at Helzberg Hall
My Instagram snapshot.

8. Jackie Myers, Rich Wheeler and Jeff Harshbarger at the Market at Meadowbrook
My Instagram snaphot.

9. Nola Richardson’s masterclass at Atonement Lutheran Church.
My Instagram snapshot.

10. Gerald Trimble & Jambaroque, Bayati Ensemble and Soundz of Africa at Unity on the Plaza
My Instagram clip.

The previous monthly recap is here.

September 2024 Recap: A Monthly Exercise in Critical Transparency

Screenshot of a preview of San Francisco Opera’s production of Giuseppe Verdi's Un Ballo in Maschera by There Stands the Glass.

Top Ten Albums of September (as of 9/23)

1. Sarah Davachi- The Head as Form’d in the Crier’s Choir
The grass withereth, the flower fadeth.

2. Nala Sinephro- Endlessness
Limitless.

3. Masayoshi Fujita- Migratory
Flight paths.

4. Colin Stetson- The Love It Took to Leave You
My review.

5. Blackstarkids- Saturn Dayz
Interplanetary pop.

6. Caroline Davis- Portals, Volume 2: Returning
Passages.

7. Future- Mixtape Pluto
Slime.

8. Alice Zawadzki- Za Górami
Euro folk a la ECM.

9. Jason Stein- Anchors
With Joshua Abrams and Gerald Cleaver.

10. Max Richter- In a Landscape
Stunning vistas.

Top Ten Songs of September (as of 9/23)

1. Midland- “Barely Blue”
Honky tonk masquerade.

2. Dwight Yoakam and Post Malone- “I Don’t Know How to Say Goodbye (Bang Bang Boom Boom)”
Heartaches by the number.

3. Bad Bunny- “Una Velita”
Burning.

4. A$AP Rocky and J. Cole- “Ruby Rosary”
Unholy.

5. SleazyWorld Go- “Olé Olé”
Made it.

6. Dom Salvador with Adrian Younge and Ali Shaheed Muhammad- "Os Ancestrais"
Brazilian bounceback.

6. Amaria- “Finer Things”
Luxurious.

8. Jerry Douglas and Aoife O’Donovan- “What Might Have Been”
Possibilities.

9. Regional Justice Center- "Moral Death Sentence"
Here comes the judge.

10. Foxing- “Kentucky McDonald’s”
Art is hard.

Top Ten Performances of September (as of 9/23)

1. Khatia Buniatishvili at Helzberg Hall
My Instagram snapshot.

2. Dwight Frizzell’s “Bridge” at Charlotte Street Foundation
My Instagram clip.

3. Reverie Road at Washington Square Park (Kansas City Irish Fest)
My Instagram clip.

4. Negativland at recordBar (Outer Reaches Festival)
My Instagram clip.

5. The Kansas City Symphony conducted by Matthias Pintscher with cellist Alisa Weilerstein at Helzberg Hall
My review.

6. Damon Smith, Jeff Harshbarger, Krista Kopper and Aaron Osborne at Westport Coffee House
My Instagram snapshot.

7. Jackie Myers, Rich Wheeler and Jeff Harshbarger at the Market at Meadowbrook
My Instagram snapshot.

8. Abraham Olivo at the Market at Meadowbrook
My Instagram clip.

9. The Mighty Mo Jazz Orchestra at Second Presbyterian Church
My Instagram clip.

10. The Sons of Brasil at Harmon Park (Prairie Village Jazz Festival)
My Instagram clip.

The previous monthly recap is here.

Concert Review: Alisa Weilerstein with the Kansas City Symphony at Helzberg Hall

Original image by There Stands the Glass.

The aspiring conductor seated next to me at Helzberg Hall on Sunday, September 15, assessed Matthias Pintscher’s approach during intermission by suggesting “he lets the orchestra play”. The absence of self-aggrandizing posturing was a refreshing change for The Kansas City Symphony.

I invested $37 to join an attentive audience of about 1,000 in the last of three concerts of Pintscher’s first weekend as the ensemble’s conductor and musical director. Pintscher’s humble demeanor aside, it’s too soon to assess if or how the quality of the Symphony has changed. 

I consider the opening selection a promising signal. The mild dissonance of Unsuk Chin’s “subito con forza” is not dissimilar to Pintscher’s exciting original compositions. Here’s hoping for more like this.

There’s no getting around the fact that the featured piece, Antonín Dvořák’s “Concerto in B Minor,” is a drag. Not even the presence of star cellist Alisa Weilerstein could make the composition interesting.

A reading of Igor Stravinsky’s stupendous “The Firebird” more than compensated for the dullness of Dvořák. Like the characters in the corresponding ballet, I was entirely enchanted. As for Pintscher, the verdict is still out.

The Top Kansas City Albums and EPs of 2024 (so far)

The Top Twenty Kansas City Albums of 2024 (so far)

1. Willi Carlisle- Critterland
Feral folk.

2. Betty Bryant- Lotta Livin'
Plastic Sax review.

3. Behzod Abduraimov- Shadows of My Ancestors
Prokofiev, Ravel and Saidaminova.

4. Charles McPherson- Reverence
Plastic Sax review.

5. Waxahatchee- Tigers Blood
KC.

6. Ben Allison, Steve Cardenas and Ted Nash- Tell the Birds I Said Hello: The Music of Herbie Nichols
Plastic Sax review.

7. Logan Richardson- Sacred Garden
Plastic Sax review.

8. Danielle Nicole- The Love You Bleed
KCUR's audio feature.

9. Karrin Allyson- A Kiss for Brazil
Plastic Sax review.

10. The Kansas City Symphony- Brahms: Reimagined Orchestrations
Virgil Thomson’s arrangements.

11. WireTown- Kansas City
Plastic Sax review.

12. Scott Dean Taylor and Seth Andrew Davis- Infidels
Plastic Sax review.

13. Jennifer Knapp- Kansas 25
Reworking of 1998 milestone.

14. Alber- Lento
Electro-jazz.

15. The Hearers- elevators come undone
Grandaddy-esque.

16. Brian Scarborough- We Need the Wind
Plastic Sax review.

17. Jeff Shirley- Contigo
Plastic Sax review.

18. Michael Davidson and Ellen Sommer- Skybreak
Trombone and piano.

19. Christopher Burnett- Originals
Plastic Sax review.

20. Doubledrag- Alone With Everyone
Shoegaze.

The Top Ten Kansas City EPs of 2024 (so far)

1. Midwestern- Reflections
There Stands the Glass review.

2. Burning Bush Demo 2024
Exodus.

3. Drew Williams- Wobble
Plastic Sax review.

4. Rich the Factor- Souped Up Sofa
KC’s the town.

5. Eddie Moore- Aperture: Solo Piano Works
Plastic Sax review.

6. Nate Hofer- Decommissioned
Ambient steel guitar.

7. Rich the Factor- Souped Up Sofa 2
Midwest tygoon.

7. Little Miss Dynamite- Grow Up
Firecracker folk.

9. Scott Hrabko & The Rabbits- Other Cats, Other Bags: Vol. 2
Louche troubadour.

10. The Fun Guy- From the Attic to the Underground 
Garage rock.

May 2024 Recap: A Monthly Exercise in Critical Transparency

Screenshot of the trailer for Welsh National Opera’s production of Giacomo Puccini’s “Il trittico” by There Stands the Glass.

The Top Ten Albums of May

1. Brad Mehldau- After Bach II
Variations.

2. Sexyy Red- In Sexyy We Trust
Dazzling party album #1.

3. Grupo Frontera- Jugando a Que No Pasa Nada
Dazzling party album #2.

4. Sisso and Maiko- Singeli Ya Maajabu
My review.

5. Vince Staples- Dark Times
Gloom.

6. Mdou Moctar- Funeral for Justice
My review.

7. Borderlands Trio- Rewilder
Feral improv.

8. André Schuen- Schubert: Winterreise
Harrowing lieders.

9. Jessica Pratt- Here in the Pitch
Far-out freak-folk.

10. Childish Gambino- Atavista
Everybody’s working for The Weeknd.

The Top Ten Songs of May

1. Carly Pearce- "Fault Line"
(Un)happy hour.

2. Amyl and The Sniffers- "U Should Not Be Doing That"
Can’t stop.

3. Yahritza y Su Esencia featuring Michelle Maciel- “Nivel Dios”
Quite possibly the best band in America.

4. Nduduzo Makhathini- "Water Spirits: Izinkonjana"
Dolphin dance.

5. Kendrick Lamar- "euphoria"
King Kendrick is back.

6. Chief Keef featuring Lil Gnar- "Jesus"
Show me the way.

7. Beres Hammond- "Let Me Help You"
Sweet relief.

8. La Luz- "Always in Love"
Forever.

9. Yaya Bey- "iloveyoufrankiebeverly"
Before I let go.

10. Randy Travis- "Where That Came From"
Digging up bones.

The Top Ten Performances of May

1. Kate Kalina at Southminster Presbyterian Church
My Instagram clip.

2. Jeffrey Osborne at Ameristar Casino
My Instagram clip.

3. Alber’s “Born at Sea” at Charlotte Street Foundation
My Instagram snapshot.

4. Steve Cardenas, Forest Stewart and Brian Steever at Westport Coffee House
My review.

5. Alon Goldstein’s “Schumann and His World” at White Recital Hall
My Instagram snapshot.

6. Nick Luby and Susan Zhang at Meadowbrook Park
My review.

7. Bachathon XLV at Grace and Holy Trinity Cathedral
My Instagram snapshot.

8. The Kansas City Symphony’s Mobile Music Box at Meadowbrook Park
My Instagram clip.

9. Jackie Myers, Matt Otto and Bob Bowman at Market at Meadowbrook
My Instagram snapshot.

10. Heidi Shea at St. John’s United Methodist Church
My Instagram clip.

The previous monthly recap is here.

March 2024 Recap: A Monthly Exercise in Critical Transparency

Original image of Kevin Miller and Lawrence Brownlee by There Stands the Glass.

The Top Ten Albums of March

1. Jlin- Akoma
Fancy footwork.

2. Tierra Whack- World Wide Whack
(Frank) Oceans of fun.

3. Véronique Gens- Paysage
French soiree.

3. Moor Mother- The Great Bailout
Overdue.

5. Norah Jones- Visions
A beautiful mirage.

6. Amirtha Kidambi- New Monuments
Prog-jazz.

7. Ethnic Heritage Ensemble- Open Me, A Higher Consciousness of Sound and Spirit
Astral planes.

8. Charles Lloyd- The Sky Will Still Be There Tomorrow
With Jason Moran, Larry Grenadier and Brian Blade.

9. Future and Metro Boomin- We Don’t Trust You
En garde!

10. That Mexican OT- Texas Technician
My review.

The Top Ten Songs of March

1. Bill MacKay- “Glow Drift”
Unhalfbricking.

2. Adrienne Lenker- “Free Treasure”
Gifts abound.

3. Charlie Parr- "Pale Fire"
Luminous.

4. Waxahatchee- “Burns Out at Midnight”
Return of the grievous angel.

5. DannyLux- "Maldito Alcohol"
Cautionary tale.

6. Mike featuring Earl Sweatshirt and Tony Shhnow- "On God"
Dead friends.

7. Anysia Kim featuring Mike- “In Doubt?”
Uncertain.

8. Matt Champion featuring Dora Jar- "Steel"
Boy band breakout.

9. Chief Keef and Mike Will Made-It featuring 2 Chainz- "Pull Up Ghost Clan"
Chiraq.

10. Lekin- “714”
Both sides now.

The Top Ten Performances of March

1. Lawrence Brownlee at the Lied Center
My review.

2. David Lord at Farewell
My review.

3. Ema Nikolovska at the Folly Theater
My review.

4. The Lyric Opera of Kansas City’s “Roméo et Juliette” at Muriel Kauffman Theatre
My review.

5. Sleater-Kinney at the Truman
My Instagram clip.

6. The Kansas City Symphony’s Matthias Pintscher Conducts Symphony Dances: ‘West Side Story’ and Rachmaninoff with Philippe Quint at Helzberg Hall
My review.

7. Danielle Nicole, Brandon Miller and Go-Go Ray at Records with Merritt
My Instagram snapshot.

8. Seth A Davis, Kwan Leung Ling, Aaron Osborne and Evan Verploegh at 7th Heaven
My Instagram clip.

9. Bryan Hicks, Rod Fleeman and Rich Hill at the Market at Meadowbrook
My Instagram snapshot.

10. Nya at the Blue Room
My Instagram snapshot.

The previous monthly recap is here.

Concert Review: Matthias Pintscher Conducts Symphonic Dances: West Side Story and Rachmaninoff at Helzberg Hall

Original image by There Stands the Glass.

I joined more than 1,000 concert-goers at the last of three de facto coronation ceremonies at Helzberg Hall on Sunday, March 24. Matthias Pintscher, the incoming Music Director of The Kansas City Symphony, appears to be a talented, benevolent and humble potentate.

Prior to the performance, the audience was told that Pintscher was mourning the death of his mentor Peter Eötvös. The distressing news raised the stakes for a vibrant reading of Leonard Bernstein’s Symphonic Dances from ‘West Side Story’.

Composer Errollyn Wallen was in the house for the world premiere of her Violin Concerto. I couldn’t discern the hushed passages played by guest artist Philippe Quint from my seat in the rafters.

Charles Ives’ loopy “Three Places in New England” was my favorite piece. I sense the subversive programing is an indication of Pintscher’s plans for the Symphony. Aside from the prominence of a saxophone, Sergei Rachmaninoff’s “Symphonic Dances” didn’t do much for me.

All tickets were $37 for the concerts billed as “Matthias Pintscher Conducts Symphonic Dances: West Side Story and Rachmaninoff”. Having gladly made the investment, I’m eager to evaluate the responses to Pintscher’s oversight of the Symphony at three European concerts in August. Here’s to fresh starts and new beginnings.

Opera Review: Lyric Opera of Kansas City’s Roméo et Juliette at Muriel Kauffman Theatre

Original image by There Stands the Glass.

The last vestiges of skepticism left my mind during the fourth act of Charles Gounod’s “Roméo et Juliette” on Sunday, March 17. Only then was I willing to acknowledge that I was taking in a very good production. 

Even from my $39 seat in the back row of Muriel Kauffman Theatre I was moved by the chemistry between Ben Bliss and Andriana Chuchman. Most of the voices successfully traversed the vast space between the stage and my remote location. 

Compelling visuals were complemented by conspicuous direction that allowed me to track the action without opera glasses. And The Kansas City Symphony sounded more than serviceable.

I’ve misspent my time and money on a few disappointing nights with Lyric Opera of Kansas City. It may not have been particularly fashionable or fresh, but the production of “Roméo et Juliette” was grand opera done right.

Concert Review: Joyce DiDonato at Helzberg Hall

Original image by There Stands the Glass.

Deanna Ray Eberhart fangirled during her session at a master class conducted by Joyce DiDonato at Helzberg Hall on Thursday, January 11. Rather than responding appropriately to a vocal example provided by DiDonato, Eberhart exclaimed something like “hearing that up close is so cool!”

I completely sympathize with Eberhart. DiDonato, the iconic international star from Prairie Village, Kansas, was my 2022 Artist of the Year. DiDonato’s innovation approach has been a key component of my gradual embrace of operatic music. Her magnificent voice is among my favorite instruments.

I spent $39 for a lousy seat high above the stage during the first of DiDonato’s three concerts with the Kansas City Symphony on Friday, January 12. Yet for a moment I felt something akin to Eberhart’s experience. Due to an odd acoustical effect, the first offstage missive made by DiDonato in her dramatic entrance to Charles Ives’ ethereal “The Unanswered Question” seemed as if it had been whispered directly into my ear.

Nothing else in the lengthy program equaled the Ives, although a rendition of Gustav Mahler’s "Ich bin der Welt abhanden gekommen" appeared to be excellent from my dicey location. I also relished DiDonato’s separate encores of Strauss’ “Morgen!” and sappy but heartrending readings of “Danny Boy” and “Shenandoah”.

I won’t include my opinions about the remainder of the program here, other than to note intriguing new pieces by Joel Thompson and Chen Yi and Zhou Long were performed. Rather than splurging on a good seat for the two repeat performances this weekend, I might binge on a few of the hours of previous DiDonato master classes online.