2. Mozart’s “Missa Solemnis”, Peter Schipka, Choralschola der Wiener Hofburgkapelle, Wiener Sängerknaben and Wiener Staatsoper, at Wiener Hofmusikkapelle (Vienna)
My Instagram clip.

3. Georges Bizet’s “Carmen” at Wiener Staatsoper (Vienna)
My Instagram snapshot.

4. Joe Lovano, Marilyn Crispell and Carmen Castaldi at Wigmore Hall (London)
My review.

5. Franz Schubert’s Messe in C-Dur, Markus Landerer, conductor, at Stephansdom (Vienna)
My Instagram snapshot.

6. Mike, 454, Niontay and El Cousteau at recordBar
My Instagram clip.

7. Rodgers and Hammerstein’s “The Sound of Music” at Volksoper (Vienna)
My Instagram snapshot.

8. Steve Hackett’s “Genesis Revisited” at the Uptown Theater
My Instagram clip.

9. Eddie Moore, Ben Tervort and Jalen Ward at Yardley Hall
My Instagram snapshot.

10. Marvin Gruenbaum, John Blegen, Kent Brauninger and Nils Aardahl at the Market at Meadowbrook
My Instagram clip.

The previous monthly recap is here.

William Brownlee

April 14, 2024

Concert Review: Joe Lovano, Marilyn Crispell and Carmen Castaldi at Wigmore Hall

William Brownlee

April 14, 2024

Original image by There Stands the Glass.

I’ve addressed numerous items on my proverbial bucket list during a whirlwind visit to London. Yesterday, I sat in the top front seat of a red double-decker bus after taking in my first Premier League match. Attending a concert at the world’s premier venue for chamber music meant even more to me. Given my predilections, it’s apropos that I heard a jazz trio on my first visit to Wigmore Hall.

I relish the three albums the grouping of saxophonist Joe Lovano, pianist Marilyn Crispell and drummer Carmen Castaldi recorded for ECM Records. Hearing them in perfect clarity amid an audience of about 500 was dreamy. Suffering from jet lag, displeased with Lovano’s sartorial choices and unwilling to continually crane my neck to watch Crispell’s fingering from my $50 seat in the center of the room, I occasionally closed my eyes.

With torrents of improvised sound akin to spray from a fire hose, the musicians’ lack of inhibition often overwhelmed me. Once or twice, I was reluctant to open my eyes for fear I had somehow slipped out of my chair and had passed out on the floor of Wigmore Hall. Three days later, I’m still reeling.

William Brownlee

May 28, 2023

May 2023 Recap: A Monthly Exercise in Critical Transparency

William Brownlee

May 28, 2023

Screenshot of the trailer of Glyndbourne’s production of Don Giovanni by There Stands the Glass.

Top Ten Albums of May

1. Rudy Royston’s Flatbed Buggy- Day

Bumpy ride.

2. Billy Woods and Kenny Segal- Maps

The right direction.

3. Shirley Collins- Archangel Hill

Time out of mind.

4. Joe Lovano, Marilyn Crispell and Carmen Castaldi- Our Daily Bread

Holy communion.

5. Roomful of Teeth- Rough Magic

My review.

6. Atmosphere- So Many Other Realities Exist Simultaneously

Atmosphere finally made a good record.

7. Kassa Overall- Animals

Pigs on the wing.

8. Béla Fleck- As We Speak

With Zakir Hussain, Edgar Meyer and Rakesh Chaurasia.

9. Slowspin- Talisman

Hounds of love.

10. Rod Fleeman- Saturday Afternoon Live at Green Lady Lounge, Vol. 2

My review.

Top Ten Songs of May

1. Megan Maroney- “Kansas Anymore”

Getting out of Dodge.

2. Kevin Morby- “Going to Prom”

Time the revelator.

3. That Mexican OT featuring Paul Wall and Drodi- "Johnny Dang"

Ice.

4. Paris Texas- "Bullet Man"

Who shot ya?

5. SleazyWorld Go with Polo G- “Off the Court”

Trust the process.

6. Peso Pluma- "Bye"

I say hello.

7. Speakers Corner Quartet featuring Kae Tempest- "Geronimo Blues"

Stump speech.

8. Sparks- "Gee, That Was Fun"

Au revoir.

9. $uicideboy$- “Realism vs Idealism”

No limit.

10. Lil’ Keke- "Motion"

OG.

Top Ten Performances of May

1. Tim Bernardes at Mississippi Studios

My review.

2. Yujia Shen at Diastole Scholars Center

My review.

3. Off!, Upchuck and Weaponize Chomsky at recordBar

My Instagram clips are here, here and here.

4. Bonnie “Prince” Billy and Michael Hurley at Aladdin Theater

My review.

5. Hot Chip and Cadence Weapon at Wonder Ballroom

My Instagram clips are here and here.

6. Janet Jackson and Ludacris at T-Mobile Center

My Instagram image.

7. Stone & Sue at the Portland Farmers Market

My Instagram clip.

8. Rod Fleeman Trio at Green Lady Lounge

My Instagram clip.

9. Drew Williams Quartet at Westport Coffee House

My review.

10. Luke Tarter at Portland International Airport

Elton John melodies unnerved me amid flight delays.

The previous monthly survey is here.

William Brownlee

October 10, 2020

Album Review: Marilyn Crispell and Angelica Sanchez- How to Turn the Moon

William Brownlee

October 10, 2020

Instinct implores me to flee when I spot more than one piano on a stage. Multiple pianos are almost always a terrible idea. I was incensed when Jay McShann’s elegant simplicity was diluted by fellow keyboardist Ralph Sutton at a concert decades ago. And I’m still traumatized by an ill-advised tribute to Phineas Newborn Jr. featuring pianists Donald Brown, Geoff Keezer, Harold Mabern, Mulgrew Miller and James Williams.

Less is almost always more, but I’m making an exception for How to Turn the Moon. The new album of piano duets features Marilyn Crispell in the right channel and Angelica Sanchez in the left channel. Heard through speakers, the album alternates between dynamic blasts of righteous skronk and quiet meditations on entropy. The distinct sound field revealed by headphones offers a far more nuanced experience.

The thoughtful interactions aren’t limited to 166 keys. The musicians probe the guts of their pianos on “Space Junk” and sound as if they’re tormenting harpsichords on “Ancient Dream.” While tracks including “Windfall Light” and “Free In Web” brush against jazz, most of the improvisations on How to Turn the Moon are entirely free from swing. Crispell and Sanchez’s vanquishing of my fight-or-flight impulse may compel me to reconsider all of my ingrained musical biases.