Original image captured at the Gorge Amphitheatre on August 13, 2022, by RSB.
*Overwhelmed by holiday commotion, I forgot to use the embedded photo in a previous post. Behold my favorite music-related image of 2022. My daughter captured the celebratory moment at a (Dixie) Chicks concert at the magnificent Gorge Amphitheatre in Washington last August.
*I played tracks by Mister Water Wet, Flora, LeVelle, Matt Villinger’s All Night Trio, Rosalía, Kae Tempest, Moor Mother and Anna Butterss and discussed Kansas City’s music scene on a recent episode of the Eight One Sixty radio program.
*Here’s my annual screed about the detrimental effect of the “Kansas City nice” aesthetic. At the risk of beating a dead gelding, I’ll again advise my well-intentioned friends that not only does unmerited praise of mediocre locally based artists undermine their personal credibility, the prevailing practice risks confining Kansas City to the cultural status of a one-horse town.
*Much to the chagrin of many musicians and their fans, I don’t engage in provincial aggrandizement at the Kansas City jazz blog Plastic Sax. I call it as I see it in the site’s reviews and editorials.
