October 13, 2024

The Top 25 Kansas City Albums of the Past 25 Years (excluding jazz)

October 13, 2024

Geographically isolated and persistently ostracized by coastal tastemakers, Kansas City’s various music communities have developed unhealthy underdog postures since 2000. The wrong artists, consequently, are often embraced for erroneous reasons. The following ranking of one observer’s favorite albums by Kansas City artists released in the first 25 years of the new millennium is intended as a benevolent corrective. It’s also a celebration of excellence. Artists are limited to single selections. A corresponding list of jazz albums is here.

1. Fat Tone- Only in Killa City (2002)

2. Tech N9ne- Everready (2006)

3. Joyce DiDonato- Diva, Divo (2011)

4. Blackstarkids- Surf (2020)

5. Making Movies- A La Deriva (2014)

6. Mac Lethal- 11:11 (2007)

7. Ron Ron- Mr. No It All (2007)

8. Janelle Monaé- The ArchAndroid (2010)

9. Rex Hobart and the Misery Boys- The Spectacular Sadness of… (2000)

10. SleazyWorld Go- Where the Shooters Be (2022)

11. Huerco S.- Plonk (2022)

12. The Grisly Hand- Country Singles (2013)

13. Little Hatch- Rock With Me Baby (2003)

14. Rich the Factor- Rose Out the Concrete (2016)

15. Kelly Hunt- Even the Sparrow (2019)

16. Sandbox Percussion- Seven Pillars (2021)

17. Stik Figa- The City Under the City (2013)

18. Samantha Fish- Chills & Fever (2017)

19. Coalesce- Ox (2009)

20. Waxahatchee- Tigers Blood (2024)

21. Ces Cru- Capture Enemy Soldiers (2004)

22. The Get Up Kids- There Are Rules (2011)

23. Ebony Tusks- Heal Thyself (2020)

24. Krystle Warren- Circles (2009)

25. Reggie and the Full Effect- Songs Not to Get Married To (2005)

William Brownlee

August 1, 2024

July 2024 Recap: A Monthly Exercise in Critical Transparency

William Brownlee

August 1, 2024

Screenshot of the trailer for the Royal Opera’s production of Pytor Ilyich Tchaikovsky’s Eugene Onegin by There Stands the Glass.

The Top Ten Albums of July 2024

1. Rakim- G.O.D.’s Network: Reb7rth
Old school freshness.

2. Common and Pete Rock- The Auditorium, Vol. 1
Redemption songs.

3. Sault- Acts of Faith
Expansive gospel.

4. Enrico Rava- Fearless Five
The octogenarian is forever young.

5. Pat Metheny- MoonDial
My review.

6. Jimetta Rose & the Voices of Creation- Things Are Getting Better
Cosmic gospel.

7. Zach Bryan- The Great American Bar Scene
My review.

8. Lava La Rue- Starface
Far out funk.

9. Nathan Bowles Trio- Are Possible
Liege and lief.

10. Childish Gambino- Bando Stone and the New World
Angsty party.

The Top Ten Songs of July 2024

1. Jesse Ware and Romy- “Lift You Up”
Higher.

2. Jorja Smith- "High"
Elevation.

3. Jpegmafia- “Sin Miedo”
Fearless.

4. Caleb Calloway, Cloonee and Alvaro Díaz- "Pe$o"
Undervalued.

5. Charley Crockett- "Visions of Dallas"
Reboot.

6. Miranda Lambert- "Alimony"
Warning shot.

7. Porridge Radio- “Sick of the Blues”
Rebirth.

8. Denzel Curry featuring Armani White- "Wishlist"
Thirsty.

9. Speed- “Caught in a Craze”
Anthrax homage.

10. Wingstop Girl- “I Ate Nothing”
Hangry.

The Top Ten Performances of July 2024

1. Sandbox Percussion, Soowin Kim and Gloria Chien at Lincoln Performance Hall
My review.

2. Jah Wobble at Mississippi Studios
My review.

3. Opus13 at Lincoln Recital Hall
My Instagram snapshot.

4. Dave Alvin and Jimmie Dale Gilmore at the Aladdin Theater
My Instagram clip.

5. Trap Jazz, Divine Essence and Justus West at the Ameri’kana Festival at Concourse Park
My Instagram clip.

6. Sandbox Percussion’s masterclass at Lincoln Recital Hall
My Instagram clip.

7. Soovin Kim, Gloria Chien and Radovan Vlatković at Kaul Auditorium
My Instagram clip.

8. Old-timey jam at Northwest Portland Hostel
My Instagram clip.

9. Kyle Rivera’s composition masterclass at Lincoln Hall
My Instagram snapshot.

10. Miami String Quartet at Yardley Hall
My Instagram snapshot.

The previous monthly recap is here.

William Brownlee

July 15, 2024

Concert Review: Chamber Music Northwest’s “Incandescence: Blazing Works by Joan Tower, Bartók & the ‘Kreutzer’” at Lincoln Performance Hall

William Brownlee

July 15, 2024

Original image of Joan Tower, Soovin Kim and Sandbox Percussion by There Stands the Glass.

I worked up a lather in a hurried thirty-minute walk to Lincoln Performance Hall in ninety-degree heat on Sunday, July 14. Not having time to rinse myself off in a bathroom, I left a trail of perspiration as I made my way to my $30 seat at the back of the venue on the campus of Portland State University.

Given the fiery theme of the concert presented in Chamber Music Northwest’s 2024 Summer Festival series, my prodigious sweating was apropos. Performances of three works were accurately billed as blazing.

Joan Tower introduced the world premiere of her “Sing or Dance” with a few humble words. Much of the challenging piece rendered by violinist Soovin Kim and Sandbox Percussion resembled free improvisation. I liked it, but many in the audience of approximately 400 squirmed.

The duo of Kim and his wife, pianist Gloria Chien, dueted on the program’s two additional pieces, Béla Bartók’s “Violin Sonata No. 2” and Ludwig van Beethoven’s “Kreutzer” sonata. Kim Chien- the festival’s artistic directors- tore through the famously difficult pieces. Kim’s astounding feat of endurance kept me sweating in sympathetic allegiance.

William Brownlee

June 21, 2024

Album Review: David Crowell- Point/Cloud

William Brownlee

June 21, 2024

Guitars are bygone relics with no place at the cutting edge of 21st century music. The specious theory draws me like a moth to a flame. It serves me right, consequently, that the sounds of guitars constitute a big chunk of the music I’ve most loved during the past six months.

The jazz guitarists Steve Cardenas and Rod Fleeman released two of my favorite albums by Kansas City artists this year. Performances by regional post-jazz guitarists Shante Clair, Seth Davis and David Lord delighted me in recent months.

I’m still surprised by my decision to catch Genesis guitarist Steve Hackett’s impressive concert in April. And two nights ago I was awed by the skronky shredding of a young guitarist with the Chicago trio Galaxxu at Charlotte Street Foundation.

As rendered by guitarists Daniel Lippel and Mak Grgic, the title suite and “Pacific Coast Highway” on Point/Cloud, the latest album by the New York composer David Crowell, contain elements of each of the styles employed by the musicians mentioned above.

Crowell’s use of jazz intonations, intimations of prog-rock and abrasive repetition verify the pertinence of guitars in 2024. Even so, the guitar-free tracks featuring Sandbox Percussion and Iva Casian-Lakos are even more interesting. On second thought, maybe guitars are, in fact, of no account.