The Top 25 Kansas City Albums of the Past 25 Years (excluding jazz)

Geographically isolated and persistently ostracized by coastal tastemakers, Kansas City’s various music communities have developed unhealthy underdog postures since 2000. The wrong artists, consequently, are often embraced for erroneous reasons. The following ranking of one observer’s favorite albums by Kansas City artists released in the first 25 years of the new millennium is intended as a benevolent corrective. It’s also a celebration of excellence. Artists are limited to single selections. A corresponding list of jazz albums is here. 

1. Fat Tone- Only in Killa City (2002)

2. Tech N9ne- Everready (2006)

3. Joyce DiDonato- Diva, Divo (2011)

4. Blackstarkids- Surf (2020)

5. Making Movies- A La Deriva (2014)

6. Mac Lethal- 11:11 (2007)

7. Ron Ron- Mr. No It All (2007)

8. Janelle Monaé- The ArchAndroid (2010)

9. Rex Hobart and the Misery Boys- The Spectacular Sadness of… (2000)

10. SleazyWorld Go- Where the Shooters Be (2022)

11. Huerco S.- Plonk (2022)

12. The Grisly Hand- Country Singles (2013)

13. Little Hatch- Rock With Me Baby (2003)

14. Rich the Factor- Rose Out the Concrete (2016)

15. Kelly Hunt- Even the Sparrow (2019)

16. Sandbox Percussion- Seven Pillars (2021)

17. Stik Figa- The City Under the City (2013)

18. Samantha Fish- Chills & Fever (2017)

19. Coalesce- Ox (2009)

20. Waxahatchee- Tigers Blood (2024)

21. Ces Cru- Capture Enemy Soldiers (2004)

22. The Get Up Kids- There Are Rules (2011)

23. Ebony Tusks- Heal Thyself (2020)

24. Krystle Warren- Circles (2009)

25. Reggie and the Full Effect- Songs Not to Get Married To (2005)

Album Review: Tord Gustavsen Trio- Seeing

Rarely do I place much importance on the physical appearance of musicians. Tord Gustavsen is an exception. I was completely unnerved by the Norwegian pianist’s resemblance to Dracula when I attended his concert at Queen Elizabeth Hall in 2012. 

That’s why I’m surprised by the overt Christian elements on his album Seeing. Gustavsen, bassist Steinar Raknes on bass and drummer Jarle Vespestad continue to stretch the piano trio concept on the hymn “Nearer My God, to Thee”, Johann Sebastian Bach’s "Auf meinen lieben Gott" and originals with titles like “Beneath Your Wisdom”.

Between the trademark ECM production, cosmopolitan Euro-swing and contemplative theme, Seeing is squarely in my wheelhouse. Seeing may be my favorite piano trio album of 2024. Even so, I don’t want to be alone in the same room with Gustavsen after dark.

Album Review: Andrew Cyrille, Kit Downes and Bill Frisell- Breaking the Shell

The church services I regularly attend conclude with informal five-minute pipe organ recitals. I relish the post-worship sounds as less music-conscious congregants head for the exits. When they’re feeling inspired, the organists occasionally push the limits of their instruments.

Kit Downes takes the pipe organ at St. Luke in the Fields’ to even further extremes on Breaking the Shell. Much of the 2022 recording sounds as if the ghost of Johanne Sebastian Bach is informed by the most forward-thinking jazz and classical music of the new millennium.

Guitarist Bill Frisell and drummer Andrew Cyrille respond to Downes’ unconventional organ tones with their usual finesse. An album trailer provides valuable insights. The sole downside of Breaking the Shell is the realization that the post-service organ recitals I relish will now be slightly less enthralling.

September 2024 Recap: A Monthly Exercise in Critical Transparency

Screenshot of a preview of San Francisco Opera’s production of Giuseppe Verdi's Un Ballo in Maschera by There Stands the Glass.

Top Ten Albums of September (as of 9/23)

1. Sarah Davachi- The Head as Form’d in the Crier’s Choir
The grass withereth, the flower fadeth.

2. Nala Sinephro- Endlessness
Limitless.

3. Masayoshi Fujita- Migratory
Flight paths.

4. Colin Stetson- The Love It Took to Leave You
My review.

5. Blackstarkids- Saturn Dayz
Interplanetary pop.

6. Caroline Davis- Portals, Volume 2: Returning
Passages.

7. Future- Mixtape Pluto
Slime.

8. Alice Zawadzki- Za Górami
Euro folk a la ECM.

9. Jason Stein- Anchors
With Joshua Abrams and Gerald Cleaver.

10. Max Richter- In a Landscape
Stunning vistas.

Top Ten Songs of September (as of 9/23)

1. Midland- “Barely Blue”
Honky tonk masquerade.

2. Dwight Yoakam and Post Malone- “I Don’t Know How to Say Goodbye (Bang Bang Boom Boom)”
Heartaches by the number.

3. Bad Bunny- “Una Velita”
Burning.

4. A$AP Rocky and J. Cole- “Ruby Rosary”
Unholy.

5. SleazyWorld Go- “Olé Olé”
Made it.

6. Dom Salvador with Adrian Younge and Ali Shaheed Muhammad- "Os Ancestrais"
Brazilian bounceback.

6. Amaria- “Finer Things”
Luxurious.

8. Jerry Douglas and Aoife O’Donovan- “What Might Have Been”
Possibilities.

9. Regional Justice Center- "Moral Death Sentence"
Here comes the judge.

10. Foxing- “Kentucky McDonald’s”
Art is hard.

Top Ten Performances of September (as of 9/23)

1. Khatia Buniatishvili at Helzberg Hall
My Instagram snapshot.

2. Dwight Frizzell’s “Bridge” at Charlotte Street Foundation
My Instagram clip.

3. Reverie Road at Washington Square Park (Kansas City Irish Fest)
My Instagram clip.

4. Negativland at recordBar (Outer Reaches Festival)
My Instagram clip.

5. The Kansas City Symphony conducted by Matthias Pintscher with cellist Alisa Weilerstein at Helzberg Hall
My review.

6. Damon Smith, Jeff Harshbarger, Krista Kopper and Aaron Osborne at Westport Coffee House
My Instagram snapshot.

7. Jackie Myers, Rich Wheeler and Jeff Harshbarger at the Market at Meadowbrook
My Instagram snapshot.

8. Abraham Olivo at the Market at Meadowbrook
My Instagram clip.

9. The Mighty Mo Jazz Orchestra at Second Presbyterian Church
My Instagram clip.

10. The Sons of Brasil at Harmon Park (Prairie Village Jazz Festival)
My Instagram clip.

The previous monthly recap is here.

Blatherin' Bill

I perused several episodes of Blair Johnson’s Badass Records Podcast after he invited me to appear on the long-running endeavor. Aghast at the prodigious length of many episodes, I resolved to keep my remarks brief. In that regard, the embedded video is a spectacular failure.

Not even my friends and family will want to consume all two hours of my nonsense. I suspect my calculating detractors will be the only people parsing the entire discussion as they compile material to hold against me.

I disregarded Johnson’s mandate to highlight my five favorite albums. Instead, I selected releases representing different phases of my life. These are Stevie Wonder’s Fulfillingness’ First Finale (1974), Bruce Springsteen’s Darkness on the Edge of Town (1978), Alison Krauss’ Now That I’ve Found You (1995), Kanye West’s The College Dropout (2004) and Moor Mother’s Jazz Codes (2022).

Many people I admire are among the previous Badass Records guests. They include Mark Manning, Jackie Myers, Sid Sowder, Steve Tulipana and Rich Wheeler. If you don’t care to take in my visage on the YouTube video or my Midwestern twang on Apple or Spotify, I encourage you to check out those episodes.

Concert Review: Alisa Weilerstein with the Kansas City Symphony at Helzberg Hall

Original image by There Stands the Glass.

The aspiring conductor seated next to me at Helzberg Hall on Sunday, September 15, assessed Matthias Pintscher’s approach during intermission by suggesting “he lets the orchestra play”. The absence of self-aggrandizing posturing was a refreshing change for The Kansas City Symphony.

I invested $37 to join an attentive audience of about 1,000 in the last of three concerts of Pintscher’s first weekend as the ensemble’s conductor and musical director. Pintscher’s humble demeanor aside, it’s too soon to assess if or how the quality of the Symphony has changed. 

I consider the opening selection a promising signal. The mild dissonance of Unsuk Chin’s “subito con forza” is not dissimilar to Pintscher’s exciting original compositions. Here’s hoping for more like this.

There’s no getting around the fact that the featured piece, Antonín Dvořák’s “Concerto in B Minor,” is a drag. Not even the presence of star cellist Alisa Weilerstein could make the composition interesting.

A reading of Igor Stravinsky’s stupendous “The Firebird” more than compensated for the dullness of Dvořák. Like the characters in the corresponding ballet, I was entirely enchanted. As for Pintscher, the verdict is still out.

Album Review: Colin Stetson- The Love It Took to Leave You

Acquiring the 29th Street Saxophone Quartet’s The Real Deal as a new release in 1987 was a turning point in my relationship with sound. Exposing me to the expansive possibilities of music, the thrilling album made me receptive to experimental textures far outside conventional boundaries.

The youthful epiphany prepared me for The love it took to leave you, a gargantuan new statement by Colin Stetson. In addition to containing distant echoes of the 29th Street Saxophone Quartet, The love it took to leave you expands the possibilities of classical minimalism and electronic ambiance.

Frightening in both its dissonant sonics and destabilizing emotional intensity, The love it took to leave you is often overwhelming. Immersing oneself in tracks like "The Six" and "So say the soaring bullbats" is a dangerous proposition. As the title of the album suggests, love can get awfully dark.

Album Review: Marquis Hill- Composers Collective: Beyond the Jukebox

Abstaining from hand-wringing about the (un)popularity of jazz takes a great deal of willpower. It’s a relief, consequently, when musicians directly address the worrisome topic on their recordings.

Marquis Hill’s potent new album Composers Collective: Beyond the Jukebox contains several spoken word interludes about the common perception of jazz as an irrelevant form of art. The vitality of the music refutes the notion.

Beyond the Jukebox demonstrates several ways in which jazz can be meaningful to broad audiences in 2024. Joined by luminaries including Gerald Clayton, Caroline Davis, Joel Ross and Jeff Parker, the trumpeter bounces between straight-ahead jazz, grown-and-sexy R&B and contemporary jazz informed by hip-hop.  

The important message remains a secret. Liberty Hall was at fifteen percent capacity when Hill performed with Junius Paul and Makaya McCraven in Lawrence, Kansas, nine weeks ago.

August 2024 Recap: A Monthly Exercise in Critical Transparency

Screenshot of the trailer for Wiener Staatsoper’s production of Richard Wagner’s Lohengrin by There Stands the Glass.

Top Ten Albums of August

1. Ryuichi Sakamoto- Opus
Staring down death.

2. JPEGMAFIA- I Lay Down My Life for You
Sonic sacrifice.

3. Jack White- No Name
He’s back in Wichita.

4. Lux Quartet- Tomorrow Land
Future now.

5. Joana Mallwitz- The Kurt Weill Album
Revelations.

6. Nick Cave & The Bad Seeds- Wild God
Zeus.

7. Grigory Sokolov- Purcell and Mozart
Elite recitals.

8. Shelby Lynne- Consequences of the Crown
My review.

9. ​​Thee Marloes- Perak
Little bit o’ soul.

10. Nikka Costa- Dirty Disco
Party like it’s 1999.

Top Ten Songs of August

1. Meshell Ndegeocello- "Travel"
Pack your bags.

2. Yolanda Adams- "Church Doors"
Wide open.

3. A$AP Rocky featuring Jessica Pratt- “Highjack”
I miss the old Kanye.

4. Tank and The Bangas featuring Samara Joy and Robert Glasper- “Remember”
Ribbon in the sky.

5. Jhéne Aiko- “guidance”
That little light of hers.

6. Melt-Banana- “Seeds”
Planted.

7. Gel- "Shame"
Hardcore.

8. Willie Nelson- "Last Leaf"
Holding on.

9. Lainey Wilson- "Keep Up With Jones"
The race is on.

10. Post Malone and Luke Combs- “Missin’ You Like This”
Long gone.

Top Ten Performances of August

1. Nick Shoulders and Chris Acker at Knuckleheads
My Instagram video.

2. Childish Gambino and Willow at the T-Mobile Center
My review.

3. Mike Baggetta with Peter DiStefano at the Ship
My review.

4. Aaron Sizemore, Forest Stewart and Mike Warren at the Music House
My Instagram snapshot.

5. Brian Baggett Trio at Green Lady Lounge
My Instagram video.

6. Síomha at the Kansas City Irish Festival
My Instagram video.

7. Smith and Jessen at Charlotte Street Foundation
My Instagram video.

8. Treanne at 90.9 The Bridge
My Instagram snapshot.

9. Clay Kirkland at Theis Park
My Instagram snapshot.

10. Dan Thomas, Harold O’Neal, Forest Stewart and Zach Morrow at the Blue Room
My Instagram video.

The previous monthly recap is here.

Concert Review: Barry Manilow at the T-Mobile Center

Original image by There Stands the Glass.

There was a time when I wouldn’t have crossed the street to attend a Barry Manilow concert. I’m growing increasingly tolerant as I age. That’s why I jumped on the bargain when I stumbled upon a pair of $15 all-in tickets for the easy listening icon’s concert at the T-Mobile Center.

I feared my life partner would scold me for the impulsive and mildly embarrassing purchase. Instead, she revealed she knew all the words to more than a dozen Manilow songs. Her long-repressed fandom delighted me.

We had more fun reveling in recordings of Manilow’s processed cheese in the days ahead of the August 25 concert than we did at the actual event. The concert started poorly for an audience of about 5,000. An alleged comedian opened the show. He was so disastrously unfunny I suspect he may have been a transgressive performance artist.

Manilow was game throughout his 90-minute set, but his rinky-dink sound system and basic shoebox stage was the weakest presentation for a major star I’ve encountered in years. The threadbare casino setup was wholly inadequate for the vast arena. I would have been furious had I paid more than a total of $30.

Renditions of “Looks Like We Made It,” “Even Now” and “I Made It Through the Rain” deserved better. Acknowledging that his oeuvre is derided as dentist office fare, Manilow joked that “as long as there are teeth, my songs will live forever.” Maybe so, but the abysmal production put Manilow’s songs on life support in Kansas City.