The Top Kansas City Albums and EPs of 2024 (so far)

The Top Twenty Kansas City Albums of 2024 (so far)

1. Willi Carlisle- Critterland
Feral folk.

2. Betty Bryant- Lotta Livin'
Plastic Sax review.

3. Behzod Abduraimov- Shadows of My Ancestors
Prokofiev, Ravel and Saidaminova.

4. Charles McPherson- Reverence
Plastic Sax review.

5. Waxahatchee- Tigers Blood
KC.

6. Ben Allison, Steve Cardenas and Ted Nash- Tell the Birds I Said Hello: The Music of Herbie Nichols
Plastic Sax review.

7. Logan Richardson- Sacred Garden
Plastic Sax review.

8. Danielle Nicole- The Love You Bleed
KCUR's audio feature.

9. Karrin Allyson- A Kiss for Brazil
Plastic Sax review.

10. The Kansas City Symphony- Brahms: Reimagined Orchestrations
Virgil Thomson’s arrangements.

11. WireTown- Kansas City
Plastic Sax review.

12. Scott Dean Taylor and Seth Andrew Davis- Infidels
Plastic Sax review.

13. Jennifer Knapp- Kansas 25
Reworking of 1998 milestone.

14. Alber- Lento
Electro-jazz.

15. The Hearers- elevators come undone
Grandaddy-esque.

16. Brian Scarborough- We Need the Wind
Plastic Sax review.

17. Jeff Shirley- Contigo
Plastic Sax review.

18. Michael Davidson and Ellen Sommer- Skybreak
Trombone and piano.

19. Christopher Burnett- Originals
Plastic Sax review.

20. Doubledrag- Alone With Everyone
Shoegaze.

The Top Ten Kansas City EPs of 2024 (so far)

1. Midwestern- Reflections
There Stands the Glass review.

2. Burning Bush Demo 2024
Exodus.

3. Drew Williams- Wobble
Plastic Sax review.

4. Rich the Factor- Souped Up Sofa
KC’s the town.

5. Eddie Moore- Aperture: Solo Piano Works
Plastic Sax review.

6. Nate Hofer- Decommissioned
Ambient steel guitar.

7. Rich the Factor- Souped Up Sofa 2
Midwest tygoon.

7. Little Miss Dynamite- Grow Up
Firecracker folk.

9. Scott Hrabko & The Rabbits- Other Cats, Other Bags: Vol. 2
Louche troubadour.

10. The Fun Guy- From the Attic to the Underground 
Garage rock.

March 2024 Recap: A Monthly Exercise in Critical Transparency

Original image of Kevin Miller and Lawrence Brownlee by There Stands the Glass.

The Top Ten Albums of March

1. Jlin- Akoma
Fancy footwork.

2. Tierra Whack- World Wide Whack
(Frank) Oceans of fun.

3. Véronique Gens- Paysage
French soiree.

3. Moor Mother- The Great Bailout
Overdue.

5. Norah Jones- Visions
A beautiful mirage.

6. Amirtha Kidambi- New Monuments
Prog-jazz.

7. Ethnic Heritage Ensemble- Open Me, A Higher Consciousness of Sound and Spirit
Astral planes.

8. Charles Lloyd- The Sky Will Still Be There Tomorrow
With Jason Moran, Larry Grenadier and Brian Blade.

9. Future and Metro Boomin- We Don’t Trust You
En garde!

10. That Mexican OT- Texas Technician
My review.

The Top Ten Songs of March

1. Bill MacKay- “Glow Drift”
Unhalfbricking.

2. Adrienne Lenker- “Free Treasure”
Gifts abound.

3. Charlie Parr- "Pale Fire"
Luminous.

4. Waxahatchee- “Burns Out at Midnight”
Return of the grievous angel.

5. DannyLux- "Maldito Alcohol"
Cautionary tale.

6. Mike featuring Earl Sweatshirt and Tony Shhnow- "On God"
Dead friends.

7. Anysia Kim featuring Mike- “In Doubt?”
Uncertain.

8. Matt Champion featuring Dora Jar- "Steel"
Boy band breakout.

9. Chief Keef and Mike Will Made-It featuring 2 Chainz- "Pull Up Ghost Clan"
Chiraq.

10. Lekin- “714”
Both sides now.

The Top Ten Performances of March

1. Lawrence Brownlee at the Lied Center
My review.

2. David Lord at Farewell
My review.

3. Ema Nikolovska at the Folly Theater
My review.

4. The Lyric Opera of Kansas City’s “Roméo et Juliette” at Muriel Kauffman Theatre
My review.

5. Sleater-Kinney at the Truman
My Instagram clip.

6. The Kansas City Symphony’s Matthias Pintscher Conducts Symphony Dances: ‘West Side Story’ and Rachmaninoff with Philippe Quint at Helzberg Hall
My review.

7. Danielle Nicole, Brandon Miller and Go-Go Ray at Records with Merritt
My Instagram snapshot.

8. Seth A Davis, Kwan Leung Ling, Aaron Osborne and Evan Verploegh at 7th Heaven
My Instagram clip.

9. Bryan Hicks, Rod Fleeman and Rich Hill at the Market at Meadowbrook
My Instagram snapshot.

10. Nya at the Blue Room
My Instagram snapshot.

The previous monthly recap is here.

Album Review: Kevin Cheli and Seth Andrew Davis- Pinball

Pinball is an apropos title for the new recording by St. Louis percussionist Kevin Cheli and the Kansas City guitarist Seth Andrew Davis. The three improvised tracks are flush with ricochets, tilts and caroms. Even so, the abrasive give-and-take might as easily been named Curb Stomp, Avalanche or Glitch. Only the most inured listeners will appreciate the album. Yet dedicated aficionados of mayhem will recognize the constant churn of Pinball as a monumental achievement.

(Need of more noise? Davis and his collaborators in the Extemporaneous Music and Arts Society are regularly featured at the Kansas City jazz blog Plastic Sax.)

Blame It On My (Sonic) Youth

After being buffeted by frigid winds and crisp sunlight while traipsing on the soft sand of an Oregon beach for several hours last Sunday, I recovered by sinking into a couch with Evan Parker’s latest release for Intakt Records.

Mentally settled and bodily exhausted, I experienced all 50 minutes of Etching the Ether without a single distraction or chemical enhancement. Completely immersed in sound, I was transported to an elevated dimension.

How did I get there? Most people never acquire a taste for improvised new music, but I consume the often harsh form as if it were candy. A moment on Live in Brooklyn 2011, a new release documenting Sonic Youth’s final concert in the United States, supplies a clue.

Thurston Moore, the loudest member of one of the most transformative bands of my youth, informs the audience that Weasel Walter is slated to perform at the concert’s afterparty at The Stone. The name-check affirms the connection between Sonic Youth’s art-punk free jazz.

The aside also brought me full circle. Since performing with a group including local standout Seth Davis in Kansas City last year, Weasel Walter is featured on the exhilarating March release Branches Choke. Etching the Ether is even better. 

The quartet of Parker (soprano saxophone), Peter Evans (trumpets), Matthew Wright (electronics) and Mark Nauseef (percussion) draw on the most refined developments from Tokyo, Philadelphia and the International Space Station. As Sonic Youth might put it, it’s a late-life riot.

Album Review: Seth Andrew Davis- Fondue Shube

If the best works of art necessitate a reconsideration of commonplace elements of everyday life, Seth Andrew Davis’ new album Fondue Shube is resoundingly profound.  The Kansas City musician describes the release as “Brutalist Maximalist Noise.”  It took me several sessions to consume all 74 minutes of the pernicious album.  The aftereffect of the deliberately disagreeable clamor is startling.  The mechanical whir of a fan in my bedroom is suddenly musical.  I now seek patterns in the thrum of a neighbor’s air conditioning unit.  The dull roar of passing airplanes are transformed into songs with melodies.  Fondue Shube may not go down easily, but it’s efficacious medicine.

Album Review: Alex Cunningham, Seth Andrew Davis, Damon Smith and Weasel Walter- Branches Choke

Footage of Alex Cunningham, Seth Andrew Davis, Damon Smith and Weasel Walter improvising at Charlotte Street Foundation continues to fill me with joy nine months after I posted the brief clip to Instagram.  Branches Choke, fifty minutes of gleeful entropy recorded in Kansas City the day after that performance, is similarly provocative.  The cover art evokes the anarchic punk band Crass while the album possesses the ear-splitting racket of glass bottles shattering in an empty recycling bin.  The Kansas City guitarist Davis sounds like he’s torturing a Slinky toy.  The St. Louis tandem of bassist Smith and fiddler Cunninghim occasionally synchronize their agonized groaning.  The thumps and rattles produced by New York percussionist Weasel Walter are funny even without the riotous visuals. The outrageous Branches Choke is astounding.

Concert Review: CRAG Quartet at the Bunker Center for the Arts

Original image by There Stands the Glass.

I didn’t include The Bunker Center for the Arts in the feature I recently wrote for KCUR about music venues in Kansas City.  Yet there was nowhere I would rather have been on Tuesday, March 14.

A stellar array of new music improvisers performed at the art gallery.  The three-part concert opened with a riveting set by saxophonist Benjamin Baker, guitarist Seth Andrew Davis, bassist Krista Kopper and drummer Evan Verploegh.  

Davis and Verploegh are the reigning Plastic Sax People of the Year.  Almost every time I hear the core members of the Extemporaneous Music and Arts Society of Kansas City- and that’s been about a dozen times in the past 12 months- I think it’s their best outing to date.  The simmering improvisation on Tuesday was no exception.

Guitarist Joshua Gerowitz and multi-instrumentalist Vinny Golia played next.  The serpentine extemporizations of the Los Angeles based artists were striking, partly because Golia possesses a swagger that makes him the free jazz version of Ronnie James Dio.

The touring band CRAG Quartet headlined.  Golia, violinist/composer Christian Asplund (violinist/composer), Steve Ricks (trombone/electronics) and Ron Coulter (percussion) made a stupendous racket that sometimes resembled an emergency siren.  And as with many of the most imaginative new music improvisers, their playing possessed a delightful undercurrent of humor.

Album Review: Daniel Pioro- Saint Boy

Hearing musicians and arts presenters apologize to audiences for staging challenging or unconventional music always makes me furious.  The excellent Kansas City bassist Krista Kopper came uncomfortably close to begging forgiveness for the cutting-edge repertoire performed at InterUrban ArtHouse in Overland Park, Kansas, on Wednesday, January 18.

The program exhibited by her No Treble trio included premieres of experimental pieces by three Kansas City area composers.  Even though the audience of about 40 was presumably receptive to new music, Kopper offered defensive explanations of the adventurous sounds.  The strength of Viktor Suslin’s woozy “Grenzubertritt” and “Evening Redness in the West,” Seth Andrew Davis’ twist on Spaghetti Western scores, spoke for themselves.

Nothing on Saint Boy, the wondrous new album of chamber music by the British violinist Daniel Pioro, is as jarring as the gnarliest moments of the concert in Kansas.  Even so, the album’s blend of old (Johann Sebastian Bach and Hildegard von Bingen) and new (Laurence Crane’s “2020 Music” and Pioro’s Glass-like title track) is unconventional in the hidebound realm of classical music.  In this ahistorical moment, apologies aren’t necessary.

July 2022 Recap: A Monthly Exercise in Critical Transparency

(Screenshot of the trailer for Grand Théâtre de Genève’s 2022 production of Turandot by There Stands the Glass.)

Top Ten Albums (released July 1-25)

1. Moor Mother- Jazz Codes

My review.

2. Anna Butterss- Activities

Illicit.

3. Steve Cardenas, Ben Allison and Ted Nash- Healing Power: The Music of Carla Bley

My review.

4. Kirk Knuffke Trio- Gravity Without Airs

Afloat with Michael Bisio and Matthew Shipp.

5. Kali Malone- Living Torch

Simmering drones.

6. ZZ Top- Raw

Live at Gruene Hall in 2019.

7. Flo Milli- You Still Here, Ho?

I’ve been here for years.

8. Katalyst- Jazz Is Dead 013

Clean slate.

9. Plínio Fernandes- Saudade

My review.

10. Ty Segall- Hello, Hi

Swinging sixties.

Top Ten Songs (Released July 1-25)

1. Charles Stepney- "That's the Way of the World"

My childhood was based on a lie.

2. Jimetta Rose & The Voices of Creation- "How Good It Is"

Blessings.

3. Emmanuel Jal with Nyayiena William and Elizabeth Nyajuok- "Ebul"

“A little bit of courage, a little bit of knowledge.”

4. DJ Premier with Remy Ma and Rapsody- "Remy Rap"

Def.

5. Cardi B with Kanye West and Lil Durk- "Hot Sh*t"

Supa dupa fly.

6. Megan Thee Stallion featuring Future- "Pressurelicious"

Pressed to get it.

7. Ciara featuring Coast Contra- "Jump"

Set this thing off right.

8. Fred Again- "Jungle"

Wild.

9. Dochii- "B*tch I'm Nice"

Fact.

10. Lil Uzi Vert- "Issa Hit"

Yeah, it is.

Top Ten Performances (July 1-24)

1. The Salvation Choir at Theis Park

My review.

2. Show Me the Body with Soul Glo, Wifi Gawd, Ebony Tusks and Piss Kinks at recordBar

My review.

3. Phillip Greenlief with Midwestern and the Extemporaneous Music and Arts Society at Bushranger Records

My review.

4. Animal Collective with Spirit of the Beehive at the Truman

My review.

5. Alex Cunningham, Seth Davis, Damon Smith, Evan Verplough and Weasel Walter at Charlotte Street Foundation

My Instagram clip.

6. The Dave Scott Quartet and Arnold Young’s RoughTet at Westport Coffee House

My review.

7. Lyle Lovett and Chris Isaak at Starlight Theatre

My Instagram snapshot.

8. Lester “Duck” Warner and Eclipse Trio at the Blue Room

My Instagram clip.

9. Dylan Pyles at Manor Records

My Instagram photo.

10. Midwest Chamber Ensemble at Prairie Baptist Church

Baroque in the afternoon.

Last month’s survey is here.

The Top Kansas City Albums of 2022 (So Far)

Little of the music made by artists from Kansas City receives substantial attention from outsiders. The ongoing disintegration of the area’s traditional media outlets exacerbates the negligence. Consequently, waiting until the end of the year to recognize the recordings on this list didn’t seem right. Yet this site has never been mistaken for a popularity contest. A few of the most notable new releases- including a fine album by Kansas City’s most popular band- didn’t make the cut. People baffled by the snub of a notable group will find my monthly surveys reveal an allergy to fizzy indie-pop. While I’m displeased by the gender disparity, I didn’t adjust the rankings for representational purposes.

1. Joyce DiDonato- Eden

Straight outta Prairie Village.

2. Arnold Young and the Roughtet- Fear Is the Mind Killer

My review.

3. The Adam Larson Trio- With Love From Chicago

My review.

4. Making Movies- Xopa

The band’s best since 2014’s A la Deriva.

5. LeVelle- My Journey Continues

My review.

6. Kevin Morby- This Is a Photograph

Bob’s New Morning meets Van’s Veedon Fleece.

7. Huerco S.- Plonk

Ambient ear candy.

8. Flora- ​​Emerald City

Over the rainbow.

9. Stik Figa and August Fanon- Heresy

“Posdnuos mixed with Pac.”

10. The Creepy Jingles- Take Me at My Wordplay

The best garage (rock) in town.

11. Dutch Newman- This Too Shall Pass, Pt. 2

Triumphant sobriety.

12. Rich the Factor- NFT Scritch

KC’s whale.

13. Seth Andrew Davis, Kyle Hutchins, Aaron Osborne and Evan Verploegh- Quartet, Vol. 1

My review.

14. Addison Frei- Time and Again

My review.

15. Belle & The Vertigo Waves- Lorelai

Let’s live together.

16. Marty Bush- The Long Way Home

The year’s best reboot.

17. Stephen Martin- High Plains

My review.

18. Seth Andrew Davis- Highways Jammed with Broken Heroes

My review.

19. Kevin “Church” Johnson- Brown Liquor Music

Potent.

20. Ben Baker, Seth Andrew Davis, Krista Kopper and Evan Verploegh- EMS

My review.

21. Norman Brown- Let's Get Away

My review.

22. Josh Nelson Bob Bowman Collective- Tomorrow Is Not Promised

My review.

23. Seth Andrew Davis and Evan Verploegh- Hunter

My review.

24. Thumbs- Trunk Wired Shut

Rock-and-roll lifers.

25. Jeff Shirley- Blue Gold

My review.