Alisa Weilerstein

September 2024 Recap: A Monthly Exercise in Critical Transparency

Screenshot of a preview of San Francisco Opera’s production of Giuseppe Verdi's Un Ballo in Maschera by There Stands the Glass.

Top Ten Albums of September (as of 9/23)

1. Sarah Davachi- The Head as Form’d in the Crier’s Choir
The grass withereth, the flower fadeth.

2. Nala Sinephro- Endlessness
Limitless.

3. Masayoshi Fujita- Migratory
Flight paths.

4. Colin Stetson- The Love It Took to Leave You
My review.

5. Blackstarkids- Saturn Dayz
Interplanetary pop.

6. Caroline Davis- Portals, Volume 2: Returning
Passages.

7. Future- Mixtape Pluto
Slime.

8. Alice Zawadzki- Za Górami
Euro folk a la ECM.

9. Jason Stein- Anchors
With Joshua Abrams and Gerald Cleaver.

10. Max Richter- In a Landscape
Stunning vistas.


Top Ten Songs of September (as of 9/23)

1. Midland- “Barely Blue”
Honky tonk masquerade.

2. Dwight Yoakam and Post Malone- “I Don’t Know How to Say Goodbye (Bang Bang Boom Boom)”
Heartaches by the number.

3. Bad Bunny- “Una Velita”
Burning.

4. A$AP Rocky and J. Cole- “Ruby Rosary”
Unholy.

5. SleazyWorld Go- “Olé Olé”
Made it.

6. Dom Salvador with Adrian Younge and Ali Shaheed Muhammad- "Os Ancestrais"
Brazilian bounceback.

6. Amaria- “Finer Things”
Luxurious.

8. Jerry Douglas and Aoife O’Donovan- “What Might Have Been”
Possibilities.

9. Regional Justice Center- "Moral Death Sentence"
Here comes the judge.

10. Foxing- “Kentucky McDonald’s”
Art is hard.


Top Ten Performances of September (as of 9/23)

1. Khatia Buniatishvili at Helzberg Hall
My Instagram snapshot.

2. Dwight Frizzell’s “Bridge” at Charlotte Street Foundation
My Instagram clip.

3. Reverie Road at Washington Square Park (Kansas City Irish Fest)
My Instagram clip.

4. Negativland at recordBar (Outer Reaches Festival)
My Instagram clip.

5. The Kansas City Symphony conducted by Matthias Pintscher with cellist Alisa Weilerstein at Helzberg Hall
My review.

6. Damon Smith, Jeff Harshbarger, Krista Kopper and Aaron Osborne at Westport Coffee House
My Instagram snapshot.

7. Jackie Myers, Rich Wheeler and Jeff Harshbarger at the Market at Meadowbrook
My Instagram snapshot.

8. Abraham Olivo at the Market at Meadowbrook
My Instagram clip.

9. The Mighty Mo Jazz Orchestra at Second Presbyterian Church
My Instagram clip.

10. The Sons of Brasil at Harmon Park (Prairie Village Jazz Festival)
My Instagram clip.


The previous monthly recap is here.

Concert Review: Alisa Weilerstein with the Kansas City Symphony at Helzberg Hall

Original image by There Stands the Glass.

The aspiring conductor seated next to me at Helzberg Hall on Sunday, September 15, assessed Matthias Pintscher’s approach during intermission by suggesting “he lets the orchestra play”. The absence of self-aggrandizing posturing was a refreshing change for The Kansas City Symphony.

I invested $37 to join an attentive audience of about 1,000 in the last of three concerts of Pintscher’s first weekend as the ensemble’s conductor and musical director. Pintscher’s humble demeanor aside, it’s too soon to assess if or how the quality of the Symphony has changed. 

I consider the opening selection a promising signal. The mild dissonance of Unsuk Chin’s “subito con forza” is not dissimilar to Pintscher’s exciting original compositions. Here’s hoping for more like this.

There’s no getting around the fact that the featured piece, Antonín Dvořák’s “Concerto in B Minor,” is a drag. Not even the presence of star cellist Alisa Weilerstein could make the composition interesting.

A reading of Igor Stravinsky’s stupendous “The Firebird” more than compensated for the dullness of Dvořák. Like the characters in the corresponding ballet, I was entirely enchanted. As for Pintscher, the verdict is still out.