September 2024 Recap: A Monthly Exercise in Critical Transparency

Screenshot of a preview of San Francisco Opera’s production of Giuseppe Verdi's Un Ballo in Maschera by There Stands the Glass.

Top Ten Albums of September (as of 9/23)

1. Sarah Davachi- The Head as Form’d in the Crier’s Choir
The grass withereth, the flower fadeth.

2. Nala Sinephro- Endlessness
Limitless.

3. Masayoshi Fujita- Migratory
Flight paths.

4. Colin Stetson- The Love It Took to Leave You
My review.

5. Blackstarkids- Saturn Dayz
Interplanetary pop.

6. Caroline Davis- Portals, Volume 2: Returning
Passages.

7. Future- Mixtape Pluto
Slime.

8. Alice Zawadzki- Za Górami
Euro folk a la ECM.

9. Jason Stein- Anchors
With Joshua Abrams and Gerald Cleaver.

10. Max Richter- In a Landscape
Stunning vistas.

Top Ten Songs of September (as of 9/23)

1. Midland- “Barely Blue”
Honky tonk masquerade.

2. Dwight Yoakam and Post Malone- “I Don’t Know How to Say Goodbye (Bang Bang Boom Boom)”
Heartaches by the number.

3. Bad Bunny- “Una Velita”
Burning.

4. A$AP Rocky and J. Cole- “Ruby Rosary”
Unholy.

5. SleazyWorld Go- “Olé Olé”
Made it.

6. Dom Salvador with Adrian Younge and Ali Shaheed Muhammad- "Os Ancestrais"
Brazilian bounceback.

6. Amaria- “Finer Things”
Luxurious.

8. Jerry Douglas and Aoife O’Donovan- “What Might Have Been”
Possibilities.

9. Regional Justice Center- "Moral Death Sentence"
Here comes the judge.

10. Foxing- “Kentucky McDonald’s”
Art is hard.

Top Ten Performances of September (as of 9/23)

1. Khatia Buniatishvili at Helzberg Hall
My Instagram snapshot.

2. Dwight Frizzell’s “Bridge” at Charlotte Street Foundation
My Instagram clip.

3. Reverie Road at Washington Square Park (Kansas City Irish Fest)
My Instagram clip.

4. Negativland at recordBar (Outer Reaches Festival)
My Instagram clip.

5. The Kansas City Symphony conducted by Matthias Pintscher with cellist Alisa Weilerstein at Helzberg Hall
My review.

6. Damon Smith, Jeff Harshbarger, Krista Kopper and Aaron Osborne at Westport Coffee House
My Instagram snapshot.

7. Jackie Myers, Rich Wheeler and Jeff Harshbarger at the Market at Meadowbrook
My Instagram snapshot.

8. Abraham Olivo at the Market at Meadowbrook
My Instagram clip.

9. The Mighty Mo Jazz Orchestra at Second Presbyterian Church
My Instagram clip.

10. The Sons of Brasil at Harmon Park (Prairie Village Jazz Festival)
My Instagram clip.

The previous monthly recap is here.

Concert Review: Alisa Weilerstein with the Kansas City Symphony at Helzberg Hall

Original image by There Stands the Glass.

The aspiring conductor seated next to me at Helzberg Hall on Sunday, September 15, assessed Matthias Pintscher’s approach during intermission by suggesting “he lets the orchestra play”. The absence of self-aggrandizing posturing was a refreshing change for The Kansas City Symphony.

I invested $37 to join an attentive audience of about 1,000 in the last of three concerts of Pintscher’s first weekend as the ensemble’s conductor and musical director. Pintscher’s humble demeanor aside, it’s too soon to assess if or how the quality of the Symphony has changed. 

I consider the opening selection a promising signal. The mild dissonance of Unsuk Chin’s “subito con forza” is not dissimilar to Pintscher’s exciting original compositions. Here’s hoping for more like this.

There’s no getting around the fact that the featured piece, Antonín Dvořák’s “Concerto in B Minor,” is a drag. Not even the presence of star cellist Alisa Weilerstein could make the composition interesting.

A reading of Igor Stravinsky’s stupendous “The Firebird” more than compensated for the dullness of Dvořák. Like the characters in the corresponding ballet, I was entirely enchanted. As for Pintscher, the verdict is still out.

March 2024 Recap: A Monthly Exercise in Critical Transparency

Original image of Kevin Miller and Lawrence Brownlee by There Stands the Glass.

The Top Ten Albums of March

1. Jlin- Akoma
Fancy footwork.

2. Tierra Whack- World Wide Whack
(Frank) Oceans of fun.

3. Véronique Gens- Paysage
French soiree.

3. Moor Mother- The Great Bailout
Overdue.

5. Norah Jones- Visions
A beautiful mirage.

6. Amirtha Kidambi- New Monuments
Prog-jazz.

7. Ethnic Heritage Ensemble- Open Me, A Higher Consciousness of Sound and Spirit
Astral planes.

8. Charles Lloyd- The Sky Will Still Be There Tomorrow
With Jason Moran, Larry Grenadier and Brian Blade.

9. Future and Metro Boomin- We Don’t Trust You
En garde!

10. That Mexican OT- Texas Technician
My review.

The Top Ten Songs of March

1. Bill MacKay- “Glow Drift”
Unhalfbricking.

2. Adrienne Lenker- “Free Treasure”
Gifts abound.

3. Charlie Parr- "Pale Fire"
Luminous.

4. Waxahatchee- “Burns Out at Midnight”
Return of the grievous angel.

5. DannyLux- "Maldito Alcohol"
Cautionary tale.

6. Mike featuring Earl Sweatshirt and Tony Shhnow- "On God"
Dead friends.

7. Anysia Kim featuring Mike- “In Doubt?”
Uncertain.

8. Matt Champion featuring Dora Jar- "Steel"
Boy band breakout.

9. Chief Keef and Mike Will Made-It featuring 2 Chainz- "Pull Up Ghost Clan"
Chiraq.

10. Lekin- “714”
Both sides now.

The Top Ten Performances of March

1. Lawrence Brownlee at the Lied Center
My review.

2. David Lord at Farewell
My review.

3. Ema Nikolovska at the Folly Theater
My review.

4. The Lyric Opera of Kansas City’s “Roméo et Juliette” at Muriel Kauffman Theatre
My review.

5. Sleater-Kinney at the Truman
My Instagram clip.

6. The Kansas City Symphony’s Matthias Pintscher Conducts Symphony Dances: ‘West Side Story’ and Rachmaninoff with Philippe Quint at Helzberg Hall
My review.

7. Danielle Nicole, Brandon Miller and Go-Go Ray at Records with Merritt
My Instagram snapshot.

8. Seth A Davis, Kwan Leung Ling, Aaron Osborne and Evan Verploegh at 7th Heaven
My Instagram clip.

9. Bryan Hicks, Rod Fleeman and Rich Hill at the Market at Meadowbrook
My Instagram snapshot.

10. Nya at the Blue Room
My Instagram snapshot.

The previous monthly recap is here.

Concert Review: Matthias Pintscher Conducts Symphonic Dances: West Side Story and Rachmaninoff at Helzberg Hall

Original image by There Stands the Glass.

I joined more than 1,000 concert-goers at the last of three de facto coronation ceremonies at Helzberg Hall on Sunday, March 24. Matthias Pintscher, the incoming Music Director of The Kansas City Symphony, appears to be a talented, benevolent and humble potentate.

Prior to the performance, the audience was told that Pintscher was mourning the death of his mentor Peter Eötvös. The distressing news raised the stakes for a vibrant reading of Leonard Bernstein’s Symphonic Dances from ‘West Side Story’.

Composer Errollyn Wallen was in the house for the world premiere of her Violin Concerto. I couldn’t discern the hushed passages played by guest artist Philippe Quint from my seat in the rafters.

Charles Ives’ loopy “Three Places in New England” was my favorite piece. I sense the subversive programing is an indication of Pintscher’s plans for the Symphony. Aside from the prominence of a saxophone, Sergei Rachmaninoff’s “Symphonic Dances” didn’t do much for me.

All tickets were $37 for the concerts billed as “Matthias Pintscher Conducts Symphonic Dances: West Side Story and Rachmaninoff”. Having gladly made the investment, I’m eager to evaluate the responses to Pintscher’s oversight of the Symphony at three European concerts in August. Here’s to fresh starts and new beginnings.