Peter Schlamb

Festival Review: Boulevardia 2023

Original image by There Stands the Glass.

I recently suggested in a piece for KCUR that Boulevardia is “Kansas City’s biggest multigenre music festival.”  Music, not beer, is my priority, and much of Boulevardia’s programming isn’t to my taste.

Yet I found plenty to enjoy at Boulevard Brewing Company’s two-day festival.  The sound, lighting and layout were superlative.  Thoughtful details like free yard games and a small army of volunteers produced a cheerful atmosphere.

The scheduling on five stages forced difficult choices- I missed another chance to see Post Sex Nachos- but I’m very pleased with my experience.  I caught at least 15 minutes of more than two dozen sets. Here’s a ranking of my ten* favorite performances.

1. Cimafunk

Nonplussed by Cimafunk’s recordings, I harbored low expectations for the band. What a stunning surprise!  Every member of the Afro-Cuban artist’s electrifying ensemble possessed as much charisma as their leader.  Cimafunk is the best show band I’ve encountered this millennium.

2. Steddy P

I’ve known the man who raps as Steddy P for 15 years.  Just as our relationship has had its ups and downs, his set at Boulevardia was a study in extremes.  The creative entertainer overcame sound issues to win over everyone present.

3. Big Freedia

Nice for what!  My face still hurts from broadly smiling throughout Big Freedia’s over-the-top spectacle.

4. The Salvation Choir

The Salvation Choir, my favorite band in Kansas City, were relatively subdued.

5. Peter Schlamb’s Electric Tinks

Peter Shlamb, arguably Kansas City’s most exciting musician, was joined by saxophonist Matt Otto, keyboardist Matt Villinger and drummer Ryan J. Lee. 

6. The Beths

The Beths were the festival’s primary draw for many of my friends and associates.  The New Zealand band’s straightforward indie-rock isn’t my thing, but the quartet’s endearingly goofy banter won me over.

7. Kat King

The fizzy indie-pop of Kansas City’s Kat King is radio-ready.

8. The Kansas City Latin Jazz Orchestra

Pablo Sanhueza’s Kansas City Latin Jazz Orchestra thrived in direct sunlight.

9. Katy Guillen & The Drive

Katy Guillen & The Drive’s roots-rock exemplifies the Boulevardia aesthetic.

10. Grand Marquis

I’ve been taking Kansas City’s Grand Marquis for granted. The longstanding bar band plays hearty jump blues with heaping helpings of Dixieland and vintage soul on the side.


*Where’s Jason Isbell?  Isbell is the equal of John Mellencamp, Bob Seger and Bruce Springsteen in their primes. Yet unwilling to tear myself away from Cimafunk’s set, I didn’t secure a spot at the front for Friday’s headliner.  Even after pushing my way into the middle of the throng, I couldn’t escape the intolerable bellowing of people flush with ignorant oil.  Frustrated, I headed home thirty minutes into Isbell’s set.

August 2022 Recap: A Monthly Exercise in Critical Transparency

Screenshot of the trailer for Detroit Opera’s 2022 production of Faust by There Stands the Glass.

Top Ten Albums of August

1. Megan Thee Stallion- Traumazine

Obscenely fun.

2. Jimetta Rose & The Voices of Creation- How Good It Is

Rock of ages.

3. Julia Wolfe and Sō Percussion- Forbidden Love

The string quartet turned inside-out.

4. Mach-Hommy- Dollar Menu 4

Buffalo wings.

5. Barlast- Musik för scener

My review.

6. Larry June- Spaceships on the Blade

My review.

7. Danger Mouse and Black Thought- Cheat Codes

Swindled.

8. Second Nature Ensemble- Second Nature

My review.

9. Rod Wave- Beautiful Mind

So what if Post Malone fell off?

10. Al Foster- Reflections

A memento of a massive night I enjoyed in 2019.



Top Ten Songs of August

1. Ice Spice- "Munch (Feelin' U)"

Baddie.

2. Doechii with Rico Nasty- “Swamp B*tches”

Muggy.

3. Kevin Gates- "Major League"

All star.

4. DJ Khaled featuring Rick Ross, Lil Wayne, Jay-Z, John Legend and Fridayy- “God Did”

All is forgiven.

5. Blackstarkids- "Sex Appeal"

Magnetic.

6. Nicki Minaj- “Super Freaky Girl”

Street song.

7. Four Tet- "Mango Feedback"

Delicious.

8. Kiwi Jr.- "Parasite II"

“Someone down in the laundry room keeps shrinking all my shirts!”

9. Ronald Isley, the Isley Brothers and Beyoncé- “Make Me Say It Again, Girl”

Mr. Biggs and Queen B.

10. Jordan Davis- “Next Thing You Know”

I’m a sap.



Top Ten Concerts of August

1. Escuela Grind- Farewell

My review.

2. Flatland Cavalry- The Truman

My review.

3. Black Crack Revue- Westport Coffee House

My review.

4. Bob Bowman and Peter Schlamb- Second Presbyterian Church

My review.

5. Escher String Quartet- Polsky Theatre

My review.

6. Evan Verplough and Ben Baker- World Culture KC

My review.

7. The Summer Singers of Kansas City & Orchestra’s “Elijah”- Grace & Holy Trinity Cathedral

My review.

8. Making Movies- Nerman Museum of Contemporary Art

My Instagram photo.

8. Jenna Bauer, Daniel Dissmore and Desmond Mason- The Market at Meadowbrook

My Instagram photo.

10. Morgan Faw and The Flame- The Blue Room

My Instagram clip.



Last month’s survey is here.

Concert Review: Bob Bowman and Peter Schlamb at Second Presbyterian Church

Original image by There Stands the Glass.

An unassuming recital on the patio of a church acted as a gratifying consolation prize on Wednesday, August 24.  I wasn’t provided a pass to area appearances by Alicia Keys and $uicideboy$ that night.  My budget didn’t allow me to spring for a ticket to either amphitheater concert.

I would have relished being in the presence of one of the most likable pop stars of the new millennium at Keys’ appearance.  And being surrounded by $uicideboy$ fans would have helped keep tabs on recent developments in pop culture.

Yet nothing at either show would have been as sublime as the flash-free duo of bassist Bob Bowman and vibraphonist Peter Schlamb at Second Presbyterian Church.  Having dedicated thousands of words to both Kansas City musicians at Plastic Sax during the past 15 years, I concur with the praise they heaped upon one another.

Schlamb asserted Bowman is “truly a legend.”  Bowman called Schlamb “one of the greatest musicians on the planet.”  Their 50-minute set attended by about 30 people corroborated the assessments.  The elite improvisations rewarded aspects of my soul that the music of Keys and $uicideboy$ could never reach.