Royal Philharmonic Orchestra

The Top Fifty Performances of 2024

(Original image of Vasily Petrenko and Isata Kanneh-Mason at Helzberg Hall by There Stands the Glass.)

Just because I’m no longer paid to review concerts doesn’t mean I stopped going out. The 157 music performances I’ve attended so far in 2024 represent an unprecedented financial outlay. The out-of-pocket figure would have been even more breathtaking had I been able to bring myself to acquire exorbitantly priced tickets to sold-out appearances in the Kansas City area by Bad Bunny, J. Cole and Grupo Frontera. Visiting the bucket list venues Wigmore Hall, Wiener Hofmusikkapelle and Wiener Staatsoper and catching the Jesus and Mary Chain, Makaya McCraven, Negativland and Jah Wobble for the first time was worth the expense. Unless I live longer than anticipated, the investment will have been worth it.


1. Militarie Gun, Pool Kids, Spiritual Cramp and Spacing at recordBar
My review.

2. Peter Schlamb, Matt Otto, Matt Villinger, Sebastian Arias and Zach Morrow at the Ship
My review.

3. Véronique Gens and Susan Manoff at Wigmore Hall (London)
My Instagram snapshot.

4. Jeffrey Osborne at Ameristar Casino
My Instagram clip.

5. Nick Shoulders at Third Place Lounge
My review.

6. Mike, 454, Niontay and El Cousteau at recordBar
My Instagram clip.

7. Wiener Staatsoper’s “Carmen” (Vienna)
My Instagram snapshot.

8. Flatland Cavalry at Grinders KC
My Instagram clip.

9. Makaya McCraven at Liberty Hall
My review.

10. Peter Schipka, Choralschola der Wiener Hofburgkapelle, Wiener Sängerknaben and Wiener Staatsoper at Wiener Hofmusikkapelle (Vienna)
My Instagram clip.

11. Rev. Dwight Frizzell’s Heliophonie at Charlotte Street Foundation
My review.

12. Rev. Dwight Frizzell’s Bridge at Charlotte Street Foundation
My Instagram clip.

13. Ema Nikolovska at the Folly Theater 
My review.

14. Childish Gambino and Willow at the T-Mobile Center
My review.

15. Lawrence Brownlee at the Lied Center
My review.

16. Joe Lovano, Marilyn Crispell and Carmen Castaldi at Wigmore Hall (London)
My review.

17. Sandbox Percussion, Soowin Kim and Gloria Chen at Lincoln Performance Hall (Portland)
My review.

18. Isata Kanneh-Mason with the Royal Philharmonic Orchestra at Helzberg Hall
My review.

19. Rod Fleeman Trio at Green Lady Lounge
My Instagram clip.

20. UMKC Opera’s “Marriage of Figaro” at White Theater
My review.

21. Yo-Yo Ma and the Harmony Project at Parade Park
My Instagram clip.

22. David Lord, V. Vecker and the Extemporaneous Music and Arts Society at Farewell
My review.

23. Jah Wobble’s Invaders of the Heart at Mississippi Studios
My review.

24. Nick Shoulders and Chris Acker at Knuckleheads
My Instagram clip.

25. Lionel Richie and Earth Wind & Fire at the T-Mobile Center
My review.

26. Khatia Buniatishvili at Helzberg Hall
My Instagram snapshot.

27. Willi Carlisle at the Folk Alliance Conference
My Instagram clip.

28. UMKC Opera’s Puccini’ Suor Angelica at the James C. Olson Performing Arts Center
My Instagram snapshot.

29. Negativland at recordBar
My Instagram clip.

30. Isidore String Quartet at Zhou B Art Center
My Instagram snapshot.

31. Joyce DiDonato with the Kansas City Symphony at Helzberg Hall
My review.

32. Adam Larson Quartet at the Blue Room
My review.

33. Kansas City Symphony’s “Matthias Pintscher conducts Symphony Dances: West Side Story and Rachmaninoff” at Helzberg Hall
My review.

34. Dave Alvin and Jimmie Dale Gilmore at the Aladdin Theater (Portland)
My Instagram clip.

35. The Lyric Opera of Kansas City’s “Roméo et Juliette” at Muriel Kauffman Theatre
My review.

36. Rick Bartlett at Ricky B’s (Louisville)
My Instagram clip.

37. Drug Church at recordBar
My Instagram clip.

38. Steve Hackett’s “Genesis Revisited” at the Uptown Theater
My Instagram clip.

39. Steve Cardenas, Forest Stewart and Brian Steever at Westport Coffee House
My review.

40. Alber’s “By the Sea” at Charlotte Street Foundation
My Instagram snaphot.

41. Jackie Myers, Matt Otto and Bob Bowman at the Market at Meadowbrook
My Instagram clip.

42. Dunedin Consort’s “St. John Passion” at Atonement Lutheran Church
My Instagram snapshot.

43. Jeremy Denk at the Folly Theater
My review.

44. Bachathon XLV at Grace and Holy Trinity Cathedral
My Instagram snapshot.

45. The Psychedelic Furs, the Jesus and Mary Chain and Frankie Rose at the Uptown Theater
My Instagram snapshot.

46. Beppe Gambetta at the 1900 Building
My Instagram snapshot.

47. Seth A Davis, Kwan Leung Ling, Aaron Osborne and Evan Verploegh at 7th Heaven
My Instagram clip.

48. Danielle Nicole at Records with Merritt
My Instagram snapshot.

49. Ernest Melton, Parker Woolworth, Jordan Faught and Jalen Ward at In the Lowest Ferns
My review.

50. Sleater-Kinney and Palehound at the Truman
My Instagram clip.



Last year’s concert ranking is here.

January 2024 Recap: A Monthly Exercise in Critical Transparency

Screenshot of Oper Graz’s production of Giuseppi Verdi’s Macbeth by There Stands the Glass.

Top Ten Albums of January

1. Willi Carlisle- Critterland
Folk masterstroke.

2. Abdullah Ibrahim- 3
The octogenarian in peak form.

3. Piotr Anderszewski- Bartók, Janáček, Szymanowski
On an overgrown path.

4. Philip Glass- Solo
Greatest hits hits hits hits hits hits hits hits.

5. Kali Uchis- Orquídeas
Panoramic pop.

6. Betty Bryant- Lotta Livin’
My review.

7. Luis R Conriquez- Corridos Bélicos, Vol. IV
What border?

8. Danielle Nicole- The Love You Bleed
My audio feature for KCUR.

9. The Smile- Wall of Eyes
Frippery.

10. Behzod Abduraimov- Shadows of My Ancestors
Prokofiev, Saidaminova and Ravel.


Top Ten Songs of January

1. Joel Ross- “bach (God the Father in Eternity)
Sanctified.

2. Brian Harnetty- "The Workbench"
A loving sound collage.

3. Mary Halvorson- “Desiderata
Now that’s what I call shredding!

4. Idles- "Gift Horse"
Ugly as homemade sin.

5. Sleater-Kinney- "Small Finds"
Needles.

6. Sprints- "Heavy"
Gravity.

7. Erick the Architect featuring George Clinton- "Ezekiel's Wheel"
Cosmic slop.

8. SleazyWorld Go- ​​"32 Bars"
Shots fired.

9. Ana Tijoux featuring Pablo Chili-E- "Dime que"
Chee-chee-chee, lay-lay-lay.

10. Ufo361 featuring lucidbeats and Ken Carson- "RICK OWENS"
If the shoe fits…

Top Ten Concerts of January

1. Isata Kanneh-Mason and the Royal Philharmonic Orchestra at Helzberg Hall
My review.

2. UMKC Conservatory’s “Suor Angelica” at the James C. Olson Performing Arts Center
My Instagram photo.

3. Joyce DiDonato’s master class at Helzberg Hall
My Instagram photo.

4. Joyce DiDonato with the Kansas City Symphony at Helzberg Hall
My review.

5. Arnold Young’s RoughTet at Westport Coffee House
My Instagram clip.

6. Wire Town at Green Lady Lounge
My Instagram clip.

7. Bryan Hicks, Matt Otto and Charles Gatschet at the Market at Meadowbrook
My Instagram photo.

8. Cynthia van Roden at the Market at Meadowbrook
My Instagram clip.

9. Jun Iwasaki’s violin master class at Helzberg Hall
My Instagram photo.

10. Chamber Music Society of Lincoln Center’s master class at Rolling Hills Presbyterian Church
My Instagram photo.



The previous monthly recap is here.

Concert Review: Isata Kanneh-Mason and the Royal Philharmonic Orchestra at Helzberg Hall

Original image of Vasily Petrenko and Isata Kanneh-Mason by There Stands the Glass.

The rough patch I’m pushing through worsened when my aged Prius didn’t start on Tuesday, January 24. I discovered that jump-starting a hybrid ain’t easy. After overcoming the challenge, I spent much of the day in the waiting room of a car dealership.

An ace in the hole kept me on an even keel. I purchased discounted front-row tickets for a concert by Isata Kanneh-Mason and the Royal Philharmonic Orchestra at Helzberg Hall on Black Friday two months ago.

I caught the eminent talents for what I might have paid for lunch from the dealership’s vending machines had I not packed my own provisions. As long as presenters of classical music price front row tickets like worthless trash, I’ll continue to buy the undervalued treasures.

Sore neck aside, the primary disadvantage to sitting a few feet from the musicians is the distorted sound field. The proximity of RPO’s massive violin section sometimes drowned out the distant harp in the interpretation of Claude Debussy’s “Danse” that opened the concert.

I feared the Steinway piano perilously rolled out for Sergei Prokofiev’s Piano Concerto No. 3 might slip off the stage and fall into my lap. Instead, it helped provide an out of body experience. Accentuated by my extreme vantage point, Kenneh-Mason’s adept handling of the bonkers piece induced delirium. 

The hallucinatory quality of the riveting footage of Martha Argerich’s 1977 reading of the composition with the London Symphony Orchestra parallels my extraordinary encounter. The version of Sergei Rachmaninov’s ponderous Symphony No. 2 brought me back to  harsh reality. The symphony’s length compelled me to recall last month’s bucket list endurance contest.

I’m not complaining about my position amid approximately 1,000 concertgoers. Counting the beads of sweat streaming down the face of the demonstrative conductor Vasily Petrenko and reading along with the violinists’ sheet music were sensational diversions.