There Stands the Glass

Top Ten Albums of January

1. Willi Carlisle- Critterland
Folk masterstroke.

2. Abdullah Ibrahim- 3
The octogenarian in peak form.

3. Piotr Anderszewski- Bartók, Janáček, Szymanowski
On an overgrown path.

4. Philip Glass- Solo
Greatest hits hits hits hits hits hits hits hits.

5. Kali Uchis- Orquídeas
Panoramic pop.

6. Betty Bryant- Lotta Livin’
My review.

7. Luis R Conriquez- Corridos Bélicos, Vol. IV
What border?

8. Danielle Nicole- The Love You Bleed
My audio feature for KCUR.

9. The Smile- Wall of Eyes
Frippery.

10. Behzod Abduraimov- Shadows of My Ancestors
Prokofiev, Saidaminova and Ravel.

Top Ten Songs of January

1. Joel Ross- “bach (God the Father in Eternity)”
Sanctified.

2. Brian Harnetty- "The Workbench"
A loving sound collage.

3. Mary Halvorson- “Desiderata”
Now that’s what I call shredding!

4. Idles- "Gift Horse"
Ugly as homemade sin.

5. Sleater-Kinney- "Small Finds"
Needles.

6. Sprints- "Heavy"
Gravity.

7. Erick the Architect featuring George Clinton- "Ezekiel's Wheel"
Cosmic slop.

8. SleazyWorld Go- "32 Bars"
Shots fired.

9. Ana Tijoux featuring Pablo Chili-E- "Dime que"
Chee-chee-chee, lay-lay-lay.

10. Ufo361 featuring lucidbeats and Ken Carson- "RICK OWENS"
If the shoe fits…

Top Ten Concerts of January

1. Isata Kanneh-Mason and the Royal Philharmonic Orchestra at Helzberg Hall
My review.

2. UMKC Conservatory’s “Suor Angelica” at the James C. Olson Performing Arts Center
My Instagram photo.

3. Joyce DiDonato’s master class at Helzberg Hall
My Instagram photo.

4. Joyce DiDonato with the Kansas City Symphony at Helzberg Hall
My review.

5. Arnold Young’s RoughTet at Westport Coffee House
My Instagram clip.

6. Wire Town at Green Lady Lounge
My Instagram clip.

7. Bryan Hicks, Matt Otto and Charles Gatschet at the Market at Meadowbrook
My Instagram photo.

8. Cynthia van Roden at the Market at Meadowbrook
My Instagram clip.

9. Jun Iwasaki’s violin master class at Helzberg Hall
My Instagram photo.

10. Chamber Music Society of Lincoln Center’s master class at Rolling Hills Presbyterian Church
My Instagram photo.

The previous monthly recap is here.

Original image of Vasily Petrenko and Isata Kanneh-Mason by There Stands the Glass.

The rough patch I’m pushing through worsened when my aged Prius didn’t start on Tuesday, January 24. I discovered that jump-starting a hybrid ain’t easy. After overcoming the challenge, I spent much of the day in the waiting room of a car dealership.

An ace in the hole kept me on an even keel. I purchased discounted front-row tickets for a concert by Isata Kanneh-Mason and the Royal Philharmonic Orchestra at Helzberg Hall on Black Friday two months ago.

I caught the eminent talents for what I might have paid for lunch from the dealership’s vending machines had I not packed my own provisions. As long as presenters of classical music price front row tickets like worthless trash, I’ll continue to buy the undervalued treasures.

Sore neck aside, the primary disadvantage to sitting a few feet from the musicians is the distorted sound field. The proximity of RPO’s massive violin section sometimes drowned out the distant harp in the interpretation of Claude Debussy’s “Danse” that opened the concert.

I feared the Steinway piano perilously rolled out for Sergei Prokofiev’s Piano Concerto No. 3 might slip off the stage and fall into my lap. Instead, it helped provide an out of body experience. Accentuated by my extreme vantage point, Kenneh-Mason’s adept handling of the bonkers piece induced delirium.

The hallucinatory quality of the riveting footage of Martha Argerich’s 1977 reading of the composition with the London Symphony Orchestra parallels my extraordinary encounter. The version of Sergei Rachmaninov’s ponderous Symphony No. 2 brought me back to harsh reality. The symphony’s length compelled me to recall last month’s bucket list endurance contest.

I’m not complaining about my position amid approximately 1,000 concertgoers. Counting the beads of sweat streaming down the face of the demonstrative conductor Vasily Petrenko and reading along with the violinists’ sheet music were sensational diversions.

January 2024 Recap: A Monthly Exercise in Critical Transparency

Concert Review: Isata Kanneh-Mason and the Royal Philharmonic Orchestra at Helzberg Hall