The Top Kansas City Albums, EPs and Reissues of 2024

I’m looking forward to returning to Mark Manning’s Wednesday MidDay Medley program on community radio station KKFI on Wednesday, November 27. Preparing to share music on the year-end best-of show compelled me to complete the following annual exercise. The agonizing process invariably means snubbing a few friends and elevating the art of talented antagonists in Kansas City’s various music communities. The songs I’ll feature on Wednesday MidDay Medley were selected partly for concise track lengths, clean edits and in deference to the predilections of my fellow guests.

The Top 25 Kansas City Albums of 2024

1. Blackstarkids- Saturn Dayz /Heaven on Urf
High concept.

2. Betty Bryant- Lotta Livin’
Plastic Sax review.

3. Willi Carlisle- Critterland
Feral folk.

4. SleazyWorld Go- More Than a Shooter
Shots fired.

5. Logan Richardson- The Science of Superstition
Plastic Sax review.

6. Charles McPherson- Reverence
Plastic Sax review.

7. Behzod Abduraimov- Shadows of My Ancestors
Prokofiev, Ravel and Saidaminova.

8. Danielle Nicole- The Love You Bleed
Medic!

9. Ben Allison, Steve Cardenas and Ted Nash- Tell the Birds I Said Hello: The Music of Herbie Nichols
Plastic Sax review.

10. Tech N9ne- COSM
Collabos.

11. Matt Otto, Xose Miguélez and Abe Rábade- The Landscape Listens
Plastic Sax review.

12. Waxahatchee- Tigers Blood
Comfort food.

13. Rod Fleeman- Saturday Afternoon Live at Green Lady Lounge, Volume 3
Plastic Sax review.

14. Pat Metheny- MoonDial
Plastic Sax review.

15. Loidis- One Day
Electro-propulsion.

16. Scott Dean Taylor and Seth Andrew Davis- Infidels
Plastic Sax review.

17. Lyric Opera of Kansas City, The Kansas City Symphony and The Lyric Opera of Kansas City Chorus- Moravec: The Shining
Redrum.

18. Sandbox Percussion- Bloom
Banging on cans.

19. Narrative Quartet featuring Adam Larson- Trust Fund Tinder Goblins Howling at the Moon
Plastic Sax review.

20. Karrin Allyson- A Kiss for Brazil
Plastic Sax review.

21. Joey Cool- Roller Coaster
Tech mime.

22. Michael Pagán- Paganova
Plastic Sax review.

23. Zachary Barthelman and Evan Verploegh- Sound/Color
Plastic Sax review.

24. Stan Kessler- Two’s Company
Plastic Sax review.

25. Alber- Born at Sea
Plastic Sax review.

The Top Ten Kansas City EPs of 2024

1. Peter Schlamb- Pliable Consciousness
Plastic Sax review.

2. Krystle Warren & The Academy- Extended Play
There Stands the Glass review.

3. Boldy James and Conductor Williams- Across the Tracks
Crazy train.

4. Midwestern- Reflections
There Stands the Glass review.

5. Conductor Williams- Conductor We Have a Problem, Pt. 3
Off the rails.

6. Burning Bush- Demo 2024
 Flames of fire.

7. Jorge Arana Trio- Merciélago
Dark shadows.

8. Drew Williams- Wobble
Plastic Sax review.

9. Rich the Factor- Souped Up Sofa
KC’s the town.

10. Treanne- 20/20
Focused.

The Top Five Kansas City Reissues of 2024

1. Charlie Parker- Bird in Kansas City
Plastic Sax review.

2. Coalesce- Live at BBC’s Maida Vale Studios
Furious 2009 session.

3. The Get Up Kids- Something to Write Home About: 25th Anniversary Deluxe Edition
Red letter days.

4. Jennifer Knapp- Kansas 25
A fresh rendering of the 1998 CCM classic.

5. Kevin Mahogany- Gem Theater Live
Plastic Sax review.

Last year’s list is here.

March 2024 Recap: A Monthly Exercise in Critical Transparency

Original image of Kevin Miller and Lawrence Brownlee by There Stands the Glass.

The Top Ten Albums of March

1. Jlin- Akoma
Fancy footwork.

2. Tierra Whack- World Wide Whack
(Frank) Oceans of fun.

3. Véronique Gens- Paysage
French soiree.

3. Moor Mother- The Great Bailout
Overdue.

5. Norah Jones- Visions
A beautiful mirage.

6. Amirtha Kidambi- New Monuments
Prog-jazz.

7. Ethnic Heritage Ensemble- Open Me, A Higher Consciousness of Sound and Spirit
Astral planes.

8. Charles Lloyd- The Sky Will Still Be There Tomorrow
With Jason Moran, Larry Grenadier and Brian Blade.

9. Future and Metro Boomin- We Don’t Trust You
En garde!

10. That Mexican OT- Texas Technician
My review.

The Top Ten Songs of March

1. Bill MacKay- “Glow Drift”
Unhalfbricking.

2. Adrienne Lenker- “Free Treasure”
Gifts abound.

3. Charlie Parr- "Pale Fire"
Luminous.

4. Waxahatchee- “Burns Out at Midnight”
Return of the grievous angel.

5. DannyLux- "Maldito Alcohol"
Cautionary tale.

6. Mike featuring Earl Sweatshirt and Tony Shhnow- "On God"
Dead friends.

7. Anysia Kim featuring Mike- “In Doubt?”
Uncertain.

8. Matt Champion featuring Dora Jar- "Steel"
Boy band breakout.

9. Chief Keef and Mike Will Made-It featuring 2 Chainz- "Pull Up Ghost Clan"
Chiraq.

10. Lekin- “714”
Both sides now.

The Top Ten Performances of March

1. Lawrence Brownlee at the Lied Center
My review.

2. David Lord at Farewell
My review.

3. Ema Nikolovska at the Folly Theater
My review.

4. The Lyric Opera of Kansas City’s “Roméo et Juliette” at Muriel Kauffman Theatre
My review.

5. Sleater-Kinney at the Truman
My Instagram clip.

6. The Kansas City Symphony’s Matthias Pintscher Conducts Symphony Dances: ‘West Side Story’ and Rachmaninoff with Philippe Quint at Helzberg Hall
My review.

7. Danielle Nicole, Brandon Miller and Go-Go Ray at Records with Merritt
My Instagram snapshot.

8. Seth A Davis, Kwan Leung Ling, Aaron Osborne and Evan Verploegh at 7th Heaven
My Instagram clip.

9. Bryan Hicks, Rod Fleeman and Rich Hill at the Market at Meadowbrook
My Instagram snapshot.

10. Nya at the Blue Room
My Instagram snapshot.

The previous monthly recap is here.

Opera Review: Lyric Opera of Kansas City’s Roméo et Juliette at Muriel Kauffman Theatre

Original image by There Stands the Glass.

The last vestiges of skepticism left my mind during the fourth act of Charles Gounod’s “Roméo et Juliette” on Sunday, March 17. Only then was I willing to acknowledge that I was taking in a very good production. 

Even from my $39 seat in the back row of Muriel Kauffman Theatre I was moved by the chemistry between Ben Bliss and Andriana Chuchman. Most of the voices successfully traversed the vast space between the stage and my remote location. 

Compelling visuals were complemented by conspicuous direction that allowed me to track the action without opera glasses. And The Kansas City Symphony sounded more than serviceable.

I’ve misspent my time and money on a few disappointing nights with Lyric Opera of Kansas City. It may not have been particularly fashionable or fresh, but the production of “Roméo et Juliette” was grand opera done right.

Concert Review: The Lyric Opera of Kansas City’s "Tosca" at Muriel Kauffman Theatre

Original image by There Stands the Glass.

I didn’t know what to make of the lovely family seated near me in the cheap seats of Kansas City’s splashy opera house on Friday, May 7.  After witnessing scenes of torture, attempted rape, murder and suicide in Giacomo Puccini’s provocatively melodramatic 1900 opera “Tosca,” two perfectly behaved little girls in matching dresses and their doting parents walked out of the Kauffman Center for the Performing Arts as if they’d just taken in a showing of Disney on Ice.

The Lyric Opera of Kansas City’s production rattled me.  “Tosca” was the first professional opera I’d experienced in-person since 2019.  As documented extensively at this site, I came to opera late in life.  I immersed myself in the form during the pandemic.  When I finish watching the Hungarian State Opera’s mesmerizing new four-hour rendering of Richard Wagner’s “Parsifal,” I’ll have taken in 303 online operas in the past two years.

The initiative altered my expectations. Having seen Luciano Pavarotti play the ill-fated painter Mario Cavaradossiin in two filmed productions of “Tosca,” my standards are now unreasonably high. Only Marina Costa-Jackson’s turn in the title role didn’t disappoint me last night. Other positives: the Kansas City Symphony was electrifying, the lighting was excellent and the informal banter among patrons in the peanut gallery was refreshing.