March 2024 Recap: A Monthly Exercise in Critical Transparency

Original image of Kevin Miller and Lawrence Brownlee by There Stands the Glass.

The Top Ten Albums of March

1. Jlin- Akoma
Fancy footwork.

2. Tierra Whack- World Wide Whack
(Frank) Oceans of fun.

3. Véronique Gens- Paysage
French soiree.

3. Moor Mother- The Great Bailout
Overdue.

5. Norah Jones- Visions
A beautiful mirage.

6. Amirtha Kidambi- New Monuments
Prog-jazz.

7. Ethnic Heritage Ensemble- Open Me, A Higher Consciousness of Sound and Spirit
Astral planes.

8. Charles Lloyd- The Sky Will Still Be There Tomorrow
With Jason Moran, Larry Grenadier and Brian Blade.

9. Future and Metro Boomin- We Don’t Trust You
En garde!

10. That Mexican OT- Texas Technician
My review.

The Top Ten Songs of March

1. Bill MacKay- “Glow Drift”
Unhalfbricking.

2. Adrienne Lenker- “Free Treasure”
Gifts abound.

3. Charlie Parr- "Pale Fire"
Luminous.

4. Waxahatchee- “Burns Out at Midnight”
Return of the grievous angel.

5. DannyLux- "Maldito Alcohol"
Cautionary tale.

6. Mike featuring Earl Sweatshirt and Tony Shhnow- "On God"
Dead friends.

7. Anysia Kim featuring Mike- “In Doubt?”
Uncertain.

8. Matt Champion featuring Dora Jar- "Steel"
Boy band breakout.

9. Chief Keef and Mike Will Made-It featuring 2 Chainz- "Pull Up Ghost Clan"
Chiraq.

10. Lekin- “714”
Both sides now.

The Top Ten Performances of March

1. Lawrence Brownlee at the Lied Center
My review.

2. David Lord at Farewell
My review.

3. Ema Nikolovska at the Folly Theater
My review.

4. The Lyric Opera of Kansas City’s “Roméo et Juliette” at Muriel Kauffman Theatre
My review.

5. Sleater-Kinney at the Truman
My Instagram clip.

6. The Kansas City Symphony’s Matthias Pintscher Conducts Symphony Dances: ‘West Side Story’ and Rachmaninoff with Philippe Quint at Helzberg Hall
My review.

7. Danielle Nicole, Brandon Miller and Go-Go Ray at Records with Merritt
My Instagram snapshot.

8. Seth A Davis, Kwan Leung Ling, Aaron Osborne and Evan Verploegh at 7th Heaven
My Instagram clip.

9. Bryan Hicks, Rod Fleeman and Rich Hill at the Market at Meadowbrook
My Instagram snapshot.

10. Nya at the Blue Room
My Instagram snapshot.

The previous monthly recap is here.

Opera Review: Lyric Opera of Kansas City’s Roméo et Juliette at Muriel Kauffman Theatre

Original image by There Stands the Glass.

The last vestiges of skepticism left my mind during the fourth act of Charles Gounod’s “Roméo et Juliette” on Sunday, March 17. Only then was I willing to acknowledge that I was taking in a very good production. 

Even from my $39 seat in the back row of Muriel Kauffman Theatre I was moved by the chemistry between Ben Bliss and Andriana Chuchman. Most of the voices successfully traversed the vast space between the stage and my remote location. 

Compelling visuals were complemented by conspicuous direction that allowed me to track the action without opera glasses. And The Kansas City Symphony sounded more than serviceable.

I’ve misspent my time and money on a few disappointing nights with Lyric Opera of Kansas City. It may not have been particularly fashionable or fresh, but the production of “Roméo et Juliette” was grand opera done right.

Concert Review: The Lyric Opera of Kansas City’s "Tosca" at Muriel Kauffman Theatre

Original image by There Stands the Glass.

I didn’t know what to make of the lovely family seated near me in the cheap seats of Kansas City’s splashy opera house on Friday, May 7.  After witnessing scenes of torture, attempted rape, murder and suicide in Giacomo Puccini’s provocatively melodramatic 1900 opera “Tosca,” two perfectly behaved little girls in matching dresses and their doting parents walked out of the Kauffman Center for the Performing Arts as if they’d just taken in a showing of Disney on Ice.

The Lyric Opera of Kansas City’s production rattled me.  “Tosca” was the first professional opera I’d experienced in-person since 2019.  As documented extensively at this site, I came to opera late in life.  I immersed myself in the form during the pandemic.  When I finish watching the Hungarian State Opera’s mesmerizing new four-hour rendering of Richard Wagner’s “Parsifal,” I’ll have taken in 303 online operas in the past two years.

The initiative altered my expectations. Having seen Luciano Pavarotti play the ill-fated painter Mario Cavaradossiin in two filmed productions of “Tosca,” my standards are now unreasonably high. Only Marina Costa-Jackson’s turn in the title role didn’t disappoint me last night. Other positives: the Kansas City Symphony was electrifying, the lighting was excellent and the informal banter among patrons in the peanut gallery was refreshing.